Interview: Zac Efron
The people who made “The Death And Life Of Charlie St. Cloud” know why we’re here – and they don’t hang about giving it to us. Right from the opening credits, Zac Efron is swinging around a boat, hair artfully tousled and his tight muscles misted with something that could be sweat but is more like dew.
So Zac, I say to the current dreamboat du jour, do you, like me, ever wonder if your good looks have held back your career? It speaks well of him that he immediately laughs at this.
“It’s a big part of why I’m here, and a big part of why my fans come to my films,” he says easily. “I used to get into those conversations all the time, but now I have this ugly beard so it’s slowing down.”
The beard in question is a scruffy musketeer moustache and goatee that he slyly says “could be” for a film role, before adding: “Really I’m just testing out – how do you know what a beard will look like unless you grow one? And also to set fire to the internet!”
He may joke but, when Googled, the beard has generated hundreds of debates including a poll at UsMagazine.com, where 8,800 signed in to vote down the Efron facial topiary. People over the age of 20 without kids may be puzzled by the intense debate as to whether a nice, polite 22-year-old should stay beardless, but the girls outside his hotel spent the night on the street in the hope of seeing him (they did), and hearts were broken when he recently finally admitted – reluctantly – that “High School Musical” co-star Vanessa Hudgens is his girlfriend of three years.
Doesn’t this relentless, full-on attention drive him a bit mad? “You have to have a ninja mentality,” says Efron, who named his new production company Ninja Running. “There’s a way to sneak in and out of places. You just have to be smart about it.” A few weeks ago, he adds, he managed to enjoy a night out by shinning down the drainpipe of his hotel without the waiting paparazzi noticing.
No-one really prepared him for this kind of focus. “For me it was on-the-job training, and you just sink or swim. You learn to never take it too seriously because it’s going to be gone some day.”
Efron is so lusted after by women that comic book writer Mark Millar admits he campaigned for Efron to play the superhero geek in the movie version of Kick-***.
“My entire idea was that any guy would pay $10 to see someone beat the **** out of Zac Efron,” said Millar. Efron not only accepts the backhanded compliment, but is deft enough to throw in a story of his own.
“Right when ‘High School Musical’ was getting popular, one of my cousins very excitedly told me that there was a huge I Hate Zac Efron club at his school. I’m sure they’re doing great.”More power to them."
As well as using humility to defuse schadenfreude, Efron comes across as a genial, hard-working young man who is only slightly impatient with his part-time job as a teen heart-throb. He frets about sounding arrogant in interviews - "I have a lot to l
earn," he assures me, fervently and frequently.
He says he tries to avoid saying things that attract gossip. "I get asked about other actors and celebrities, and I've noticed that people who make the cool movies and stick around tend not to be the ones who are famous for their personal lives. And my personal life isn't that interesting anyway."
It started getting interesting when he was 16. Before then Efron was living at home, and twice a month his mother would drive him 145 miles to auditions in Los Angeles. He got a few bit parts on TV shows but if he couldn't get more regular work he was going to head to university. He was just about to buy his folders and files when an actor friend told him he'd tried out for a Disney musical. "The only thing that separates me from a few hundred other brown-haired, blue-eyed actors is that audition," he says. "I never forget that."
Trying to get us to forget High School Musical may be more difficult. He's always careful to acknowledge the career break he got by playing a sporty student with a bowl haircut who just wants to save money for college and sing about it to his mathlete girlfriend, but at 22 he's keen to move on. His next few roles will determine if he stays a teen idol or becomes a star that adults without kids could recognise. He turned down a remake of Footloose, the 80s high school musical, to free up time for more mature films such as Charlie St Cloud and Richard Linklater's period piece about an aspiring actor, Me And Orson Welles.
The road from tween idol is a perilous path, littered with the failed attempts of previous dreamboats du jour. Does anyone still take David Cassidy's calls? Me And Orson Welles won plaudits but modest box-office success so there's a lot riding on the soft-focus Charlie St Cloud. The director is Burr Steers, who directed Efron before in last year's age-switch comedy 17 Again, as well as the superior 2002 black comedy Igby Goes Down, and for the first time Efron plays someone his own age, struggling with the death of his younger brother (Charlie Tahan).
"The emotional aspects really rang true to me," says Efron. "Having left home at 17, I've been on the road ever since and I left my brother Dylan behind. Suddenly, my little bro is fending for himself in high school and I'm not there to guide him through that whole thing. Now he's 18 and going to college so he's not my little brother any more, but we're starting to become even better friends than we were."
By the time Dylan finishes his freshman year, his big brother will have made two more films, including a rumoured Nicholas Sparks project in which he plays an Iraq veteran who falls for two women.
But the career he'd most like at the moment, he says, is that of his girlfriend Vanessa, who he visited on the set of her new action movie Sucker Punch. "I watched her beating the hell out of stunt guys," he says. "She's incredible - but at the same time I was so jealous because it looked so cool."
Adult screams instead of teen shrieks? No-one seems more eager to grow up than Efron.
The Death And Life Of Charlie St Cloud is on general release from Friday