If Meisel truly shot this remotely, then it's testament to his enduring genius, the imagery is fantastic and as polished and controlled as ever; also symbolising a much needed return to the look of his cinematographic days. She may be a bit too ubiquitous for my liking, but Rianne really came through here. The image of her leaning into the car window takes me back to DSquared 07.
I do wish that Sacha was a bit more upfront, but it's her third collab in a row with Templer (fourth with Meisel), so I'll keep my mouth shut on that.