Furor Over Dakota Fannings r*pe Scene
If there's a powder keg at this month's Sundance Film Festival, it's the untitled drama that features 12-year-old Dakota Fanning, whose character is raped by a small-town bully, and costars Afemo Omilami, the Atlanta-based actor who plays the soft-spoken mentor who helps her.
The Untitled Dakota Fanning Project (aka Hounddog), as the low-budget film is known in indie circles, will debut at Sundance in Park City, Utah, on Jan. 22 and will screen for five consecutive days. Filmed in North Carolina last summer by writer-director Deborah Kampmeier (
Virgin), it's about a young girl in the early 1960s who is reaching puberty and becoming obsessed with Elvis Presley's music when tragedy strikes.
Among this year's crop of Sundance features, ''it's an absolute priority film to see,'' says Tom Quinn, head of acquisitions for New York-based Magnolia Pictures. 'As a buyer, I am definitely excited, and as an audience member, I think the public can handle it. It's a definite `A' title.''
Hollywood has a long history of controversial movies involving young girls in violent and/or sexual situations: Brooke Shields in
Pretty Baby, Jodie Foster in
Taxi Driver, Linda Blair in
The Exorcist. And the Fanning film, which few people have seen, has already ignited protests.
The child advocacy group A Minor Consideration, founded by former
Donna Reed Show and
Micky Mouse Club actor Paul Petersen, has published a lengthy article on its website (www. minorcon.org) attacking the movie. ''An insidious evil is spreading throughout Hollywood,'' Petersen writes in reference to its r*pe scene, declaring that the Fanning movie ``has sunk to another mindless low point.''
Omilami begs to differ.
''I don't know what people are so upset about,'' the 56-year-old actor said. ``Believe me, Deborah is going to be so tasteful. She's handling this in such an artistic way, so delicately that I'm sure people will appreciate that.''
The director uses shadows and cut-away imagery to depict parts of the sexual assault, Omilami says.
In his mini-review summary of the film, Sundance's Trevor Groth heaps praise on Fanning's performance. ''She tackles an immensely challenging role, a role that would have scared off even the most seasoned of actors, with an awareness and ferocity that will leave audiences shaken to their core,'' Groth writes.
Though few have seen the full movie, a small sampling of dailies from the production illustrate not only the actress' ability to belt out an Elvis song but also the bond between her and Omilami. Since the filming ended, they frequently write each other letters. Hers are longhand with her trademark dotting of each ''i'' with a heart.
''She works and works and works, but she's still a little girl,'' Omilami says.
One scene expected to be in the finished film shows the young actress standing on the limb of a giant tree, warbling Presley's
Hound Dog and then conversing with Omilami's character, Charlie, who stands at the trunk below. ''I'll be a big star some day,'' she says.
He talks to her about life and diversity, the blues and finding her own special voice. Then he gently instructs her to ``come on down now, Missy.''
The tree, Omilami explains in an interview, is ''her place of refuge.'' The two meet there several times during the course of the movie.
Like most films in competition at Sundance, the Fanning project will arrive in search of studio distribution. Last year, for example, the popular
Little Miss Sunshine played at Sundance and then landed a multimillion-dollar distribution deal with Fox Searchlight.
Fanning's film is not only a gutsy move for the young actress that challenges her child-star image; it's also a high-profile venture for Omilami. He's done years of stage work and has appeared in supporting and character roles since 1979 in such movies as
Remember the Titans,
Idlewild and
Drumline. He also was a drill sergeant in the Oscar-winning
Forrest Gump.
The State.com
I like this article better, but its really long so here's the link:
http://www.nytimes.com/2007/01/20/movies/20dako.html
I think the conservatives are just overreacting, as usual. Yes, I can see that its a sensitive issue and it is a little graphic for children, but Dakota isn't really a kid anymore and she seems mature beyond her years. The movie was going to be made no matter who played the role, and I wonder if this would even be an issue if it had been played by an actress not as famous as Dakota. What do you all think?
Aside from that scene, I think the movie looks great. I saw one scene and Dakota was great in it.
I bet with all of this controversary, more people will go see it.