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OscarWatch said:63rd Annual Golden Globe Nominations - Brokeback in the Lead
MOTION PICTURE - DRAMA
"Brokeback Mountain"
"The Constant Gardener"
"Good Night, and Good Luck"
"A History of Violence"
"Match Point"
ACTRESS IN A MOTION PICTURE - DRAMA
Maria Bello, "A History of Violence"
Felicity Huffman, "Transamerica"
Gwyneth Paltrow, "Proof"
Charlize Theron, "North Country"
Ziyi Zhang, "Memoirs of a Geisha"
ACTOR IN A MOTION PICTURE - DRAMA
Russell Crowe, "Cinderella Man"
Philip Seymour Hoffman, "Capote"
Terrence Howard, "Hustle & Flow"
Heath Ledger, "Brokeback Mountain"
David Strathairn, "Good Night, and Good Luck"
MOTION PICTURE - MUSICAL OR COMEDY
"Mrs. Henderson Presents"
"Pride & Prejudice"
"The Producers"
"The Squid and the Whale"
"Walk the Line"
ACTRESS IN A MOTION PICTURE - MUSICAL OR COMEDY
Judi Dench, "Mrs. Henderson Presents"
Keira Knightly, "Pride & Prejudice"
Laura Linney, "The Squid and the Whale"
Sarah Jessica Parker, "The Family Stone"
Reese Witherspoon, "Walk the Line"
ACTOR IN A MOTION PICTURE - MUSICAL OR COMEDY
Pierce Brosnan, "The Matador"
Jeff Daniels, "The Squid and the Whale"
Johnny Depp, "Charlie and the Chocolate Factory"
Nathan Lane, "The Producers"
Cillian Murphy, "Breakfast on Pluto"
Joaquin Phoenix, "Walk the Line"
FOREIGN LANGUAGE FILM
"Kung Fu Hustle" (China)
"Master of the Crimson Armor" aka "The Promise" (China)
"Merry Christmas (Joyeux Noel)" (France)
"Paradise Now" (Palenstine)
"Tsotsi" (South Africa)
ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE
Scarlett Johansson, "Match Point"
Shirley MacLaine, "In Her Shoes"
Frances McDormand, "North Country"
Rachel Weisz, "The Constant Gardener"
Michelle Williams, "Brokeback Mountain"
ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE
George Clooney, "Syriana"
Matt Dillon, "Crash"
Will Ferrell, "The Producers"
Paul Giamatti, "Cinderella Man"
Bob Hoskins, "Mrs. Henderson Presents"
DIRECTOR - MOTION PICTURE
Woody Allen, "Match Point"
George Clooney, "Good Night, and Good Luck"
Peter Jackson, "King Kong"
Ang Lee, "Brokeback Mountain"
Fernando Meirelles, "The Constant Gardener"
Steven Spielberg, "Munich"
SCREENPLAY - MOTION PICTURE
Woody Allen, "Match Point"
George Clooney & Grant Heslov, "Good Night, And Good Luck"
Paul Haggis & Bobby Moresco, "Crash"
Tony Kushner & Eric Roth, "Munich"
Larry McMurtry & Diana Ossana, "Brokeback Mountain"
ORIGINAL SCORE - MOTION PICTURE
Alexandre Desplat, "Syriana"
James Newton Howard, "King Kong"
Gustavo Santaolalla, "Brokeback Mountain"
Harry Gregson-Williams, "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe"
John Williams, "Memoirs of a Geisha"
ORIGINAL SONG - MOTION PICTURE
"A Love That Will Never Grow Old" -- "Brokeback Mountain"
Music by: Gustavo Santaolalla, Lyrics by: Bernie Taupin "Christmas in Love" -- "Christmas in Love"
Music by: Tony Renis, Lyrics by: Marva Jan Marrow "There's Nothing Like a Show on Broadway" -- "The Producers"
Music & Lyrics by: Mel Brooks
"Travelin' Thru" -- "Transamerica"
Music & Lyrics by: Dolly Parton
"Wunderkind" -- "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe"
Music & Lyrics by: Alanis Morissette
Maybe 'Munich'
Patrick Goldstein details Spielberg's opus — and handicaps the best picture race.
Best Picture Favorites:
"Brokeback Mountain." 4 to 1. For now, the unquestioned favorite, with everything Oscar voters value: great performances and prestigious critic awards, all accompanied by a theme of tolerance that packs an emotional wallop.
"Munich." 7 to 1. If Spielberg makes his case for the film, it will benefit from academy respect for the filmmaker and his serious intent.
"Walk the Line." 8 to 1. Less emotionally stirring than "Ray," but it will benefit from strong actors-branch support for its craft and impressive performances.
"King Kong." 10 to 1. If it's a box-office smash, the good reviews and cinematic artistry will earn this emotion-laden spectacle a trip to the Final Five.
"Good Night, and Good Luck." 12 to 1. With its politics in the academy's comfort zone — safely set in the past — it has enough goodwill to be a serious candidate.
Contenders:
"Capote." 15 to 1. Despite rave reviews and Philip Seymour Hoffman's stellar performance, it may be too austere and unsentimental for academy voters.
"Crash." 16 to 1. Should have strong acting-branch support but needs more grass-roots momentum to bring it back to life.
"Memoirs of a Geisha." 17 to 1. Mediocre reviews and a poor showing with the Globes have put a damper on this beautifully crafted but chilly adaptation.
"The Constant Gardener." 18 to 1. Full of political passion and filmmaking craft, it needs a serious second-look from voters to make a bid for the Final Five.
"History of Violence." 18 to 1. Incendiary and unpredictable, this inspired drama got great reviews but is perhaps too disturbing for mainstream academy types.
Longshots:
"The New World." 22 to 1. After being shut out by the big critics and the Globes, it's running on fumes, especially without any support from its own filmmaker.
"Pride & Prejudice." 23 to 1. A clever adaptation with spirited performances, it traverses too-familiar terrain for a best picture slot.
"Match Point." 25 to 1. Not original enough for the academy to give Woody Allen one final bow.
"Mrs. Henderson Presents." 30 to 1. Not much heft here, but it will find admirers among the older wing of the academy.
"Syriana." 35 to 1. Smart and timely but too volatile politically, not to mention too dense dramatically, to make it to the Final Five.
"Cinderella Man." 40 to 1. The academy shuns high-profile flops, especially with a star who is the opposite of a sentimental favorite.
The Big Picture runs every Tuesday in Calendar. E-mail comments or criticism to [email protected].
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