Musical preferences aside --and I think Music and American Life were gutsy, leading, impossibly rich productions that were unlike anything that the rest of the Pop world were offering at the time, and still very Pop. Listen to 2000’s “What It Feels Like For A Girl” today and it seamlessly fits into the current conversation of the women’s movement. Or 2003’s “Nobody Knows Me”, which may as will be Madonna as the all-seeing Oracle of Delphi valuing her individuality and warning of the coming of InstaCulture. She was a leader at the time and effortlessly shrugging off the need for the kidz’ approval. Which of course, made them adore her for that confidence then…
I wished with these magazines, and knowing how her age would always be the topic of conversation with her (having just turned 58 yesterday), especially when she’s posing still so… provocatively, she would be daring, confident enough to reject all the retouching, and all the filter on her Instagram pics that has her face so bright, she may as well be a lightbulb. And show your hands as a defiance and as a statement of not bending to the shames of aging. She’s got the biggest balls of them all, but when it comes to her aging physicality, she’s a hypocrite by retouching her images to death. Don’t be afraid.
(And Benn— I love love love the video for “Nothing Really Matters’ as well. Such a celebration of life and death in such a creative, original, playful and impossibly visionary fashion. And she’s gorgeous— looking like Gong Li as Hatsumomo in her Gaultier kimono.)