Fashion_Girl22
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This kind of collar detailing was very common in velvet capes in the 1920s, so I think they all have the same historic source of inspiration. They are very gorgeous.
The Cardin coat may very well be a callback to velvet capes of the 1920s, but it would not be a surprise if Galliano's creations were a direct reference to that of Pierre Cardin. John never really made his influences by designers before him such a great secret. If you look back at quite a few of his collections, you'll find a lot of parallels between John's work and the work of various early-mid 20th century designers.
Elsa Schiaparelli (1938) & John Galliano Fall/Winter 1995
marthahallkelly.com, catwalking.com
Paul Poiret (1914) & John Galliano Fall/Winter 2008
wikipedia.com, stylebistro.com
Elsa Schiaparelli (1938) & Christian Dior Fall/Winter 2006
theguardian.com, stylebistro.com
Madeleine Vionnet (1938) & Christian Dior Spring/Summer 2008
metmuseum.org, stylebistro.com
Charles James (1953) & Christian Dior Haute Couture Spring/Summer 2004
chicagohistory.com, stylebistro.com
Charles James (1954) & Christian Dior Haute Couture Spring/Summer 2004
chicagohistory.com, stylebistro.com
Does this make him any less of a designer or his work invalid? I wouldn't say so. To paraphrase Colin McDowell, rather than slavishly copying the decorative forms of past works, John reworks the spirit of the original. He's even openly credited the sources of his inspiration on numerous occasions, and has always expressed a great admiration for designers of years past.
Anyway, I say all this to say, I'm sure the connection between the Cardin and Galliano may be a little more than just a shared historic reference in this case.
A really good catch, bbofbalenciaga!