Sabato De Sarno - Designer, Creative Director of Gucci

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Gucci’s New Messenger​

Gucci, for its part, can’t wait to turn a corner and exit this morass. Earlier this week, the brand announced new hires in its marketing and communications division. As I predicted two weeks ago, the change puts Givenchy’s Valérie Leberichel in charge of the department. Incoming C.E.O. Stefano Cantino seems to be working overtime to streamline the business, which already had a complex setup before Sabato De Sarno entered the picture. However, it became more chaotic when he brought in his people, who overlapped with Gucci’s people, which made it even harder to get things done. Or at least done properly.

Runway shows aside, one of the most challenging aspects of the De Sarno era has been the communications and marketing strategy rollout. Things started strong with a few great campaigns that were shot long before he ever showed a collection, but then quickly became muddled. De Sarno did far too many interviews, and was positioned by the brand as a star (complete with his own documentary) when they should have let the industry anoint him, instead.

Of course, the real challenge for Gucci is bigger than De Sarno. As Cantino knows from his formative experience running marketing and communications at Louis Vuitton, leather goods are a practically inexhaustible resource for consumers. (Indeed, Louis Vuitton generates more revenue annually than all of Kering.) Gucci already generates more than half its revenue from leather goods, but there’s room to grow and leverage those recurring revenue opportunities. Chairman and C.E.O. François-Henri Pinault has made it clear that his leadership team believes Gucci could and should be the Louis Vuitton of his group.

The problem with this theory, inevitably, is that Tom Ford turned Gucci into a fashion house in the ’90s. During that same period, Jacobs and Martin Margiela were additive at Louis Vuitton and Hermès, respectively, but Ford overwhelmed Gucci, and his influence and legacy were compounded during the Alessandro Michele era. (He, too, overwhelmed the brand.) People want real flair from Gucci, but part of Cantino’s job will be to impart a sense of fashion into the offerings while also establishing it as the first stop for handbags, luggage, wallets, belts, etcetera.

Not easy. Of course, all of this could be derailed if Donald Trump decides to enforce tariffs on the damn things.
 
Runway shows aside, one of the most challenging aspects of the De Sarno era has been the communications and marketing strategy rollout. Things started strong with a few great campaigns that were shot long before he ever showed a collection, but then quickly became muddled. De Sarno did far too many interviews, and was positioned by the brand as a star (complete with his own documentary) when they should have let the industry anoint him, instead.

I don't understand how a behemoth like Gucci, and to that effect Kering, can make such rookie mistakes and function like a random start-up company with decisions such at these. Is this not a multi-billion dollar company we are talking about?

The positioning of Sabato as this second coming of a genius was a very bad decision on Kering's part. It was probably part of the reason why the expectations on him were of such a high nature, and eventually why so many people were so disappointed in his work.
 
I don't understand how a behemoth like Gucci, and to that effect Kering, can make such rookie mistakes and function like a random start-up company with decisions such at these. Is this not a multi-billion dollar company we are talking about?

The positioning of Sabato as this second coming of a genius was a very bad decision on Kering's part. It was probably part of the reason why the expectations on him were of such a high nature, and eventually why so many people were so disappointed in his work.
i think they thought to give/buy him a personality via a documentery much like frida the director was about cementing her as a power house of a creative director ....lol

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i think they thought to give/buy him a personality via a documentery much like frida the director was about cementing her as a power house of a creative director ....lol

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At least the Frida documentary had funny moments with Frida bashing and rejecting Alessandro's bags proposal with the drama from the Valentino clear perspex clutch and Frida again getting mad at the team for Not having properly hemmed a tunic. The Ancora documentary was Just a boring PR stunt to make him look like the next Karl Lagerfeld. I still remember the cringe behind the scenes interviews with Zanola and Alessio Vannetti. Thank you, next.
 
At least the Frida documentary had funny moments with Frida bashing and rejecting Alessandro's bags proposal with the drama from the Valentino clear perspex clutch and Frida again getting mad at the team for Not having properly hemmed a tunic. The Ancora documentary was Just a boring PR stunt to make him look like the next Karl Lagerfeld. I still remember the cringe behind the scenes interviews with Zanola and Alessio Vannetti. Thank you, next.
true but creatively i don't like either one is just the more worse version of the other but they are very alike .....that's why they get along
 
Who's ready for the newest flop from Sabato and Zanola?
Chapter 2 from Holiday campaign!
Chapter 1 was about Savoy hotel in Rosso Ancora, chapter 2 features models throwing fake snow balls surrounded by CGI snowy mountains...so innovative!
Here's Jannik Sinner laying on fake snow wearing GG Marmont belt from Michele, a tacky GG monogram hoodie and a metallic silver duffle...but wait...that duffle looks like it's from the latest Ski collection from Louis Vuitton with the metallic foil monogram bags: GROUNDBREAKING!

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He should stick to sending designs to a creative director. I definitely see that he was a ghost designer who needs a brief to follow from the C.D. But he definitely isnt a creative nor a director.
 
I just checken the homepage if YSL and Gucci.....

It is getting more and more absurd....

Really bad.... no appetizers....no real clothes (beyond tacky or plain basic)....boring bags......

who makes those decisions?????
 
Who's ready for the newest flop from Sabato and Zanola?
Chapter 2 from Holiday campaign!
Chapter 1 was about Savoy hotel in Rosso Ancora, chapter 2 features models throwing fake snow balls surrounded by CGI snowy mountains...so innovative!
Here's Jannik Sinner laying on fake snow wearing GG Marmont belt from Michele, a tacky GG monogram hoodie and a metallic silver duffle...but wait...that duffle looks like it's from the latest Ski collection from Louis Vuitton with the metallic foil monogram bags: GROUNDBREAKING!

View attachment 1325590
View attachment 1325591
Vuitton had that 3 striking campaign on mountain backgrounds: Roger & Rafa of course, the Wyoming/Montana FW 24 for Pharell, and quite the extraordinary "Horizons Never Ends" with Fei Fei by Glen.
Miu Miu had this incredible "Miu Miu Mountain Club" show and campaign
Even Loro Piana has rn incredible pics in Lapland for their ski collection.

Gucci: Sinner rolling in asbestos.
 
I just checken the homepage if YSL and Gucci.....

It is getting more and more absurd....

Really bad.... no appetizers....no real clothes (beyond tacky or plain basic)....boring bags......

who makes those decisions?????
Recap
YSL - the first bag you see is a 35k feather bag and for RTW is a pantyhose swimsuit
Gucci - Items full of allover monogram

Good luck Kering for letting your designers run free.
 

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