The Business of Magazines

Condé Nast Hits Back Hard at Stefano Tonchi’s W Magazine Lawsuit

Condé Nast isn’t ready to settle with Stefano Tonchi just yet.

In its first response to the former W magazine editor in chief’s $1 million lawsuit claiming he was wrongfully terminated and denied severance, the publisher accused Tonchi of a series of actions that it says negatively affected the sale process for the magazine he edited for a decade. W was sold to Surface Media at the end of June and Tonchi was fired the same day.

Despite sources noting over the course of the process that Tonchi was actually tasked with identifying potential buyers and bringing them into the process, Condé claims that he was not a formal member of the team leading the sale and that he actually interfered “in order to achieve benefits for himself.”

“His actions included selectively and without authorization disclosing confidential and sometimes false information to the press and various bidders with the effect of dissuading full participation by buyers he disfavored, taking secret meetings with potential buyers even though he was not authorized to do so and numerous other violations of the express instructions he received from the team managing the sale process,” Condé wrote in the response, filed late Monday in local New York court.

Beyond that, Condé is accusing Tonchi of trying to “extort” an additional $1 million payment in order to meet with the company’s “preferred buyer,” Surface. As WWD previously reported, Tonchi and much of the staff were not pleased when it was revealed that Surface was the likely buyer, namely due to the small company’s reputation and that of its chief executive officer Marc Lotenberg. Condé claims that it was Tonchi who tried to discourage W employees to refuse to work for Surface. The publisher admitted, as WWD reported, that had employees done so it would have “likely” ended the Surface deal. Had Surface backed out, Condé even admitted that it would have simply closed W altogether instead of continuing to search for a buyer.

For those staffers who stayed on at W under Surface, which recently moved its operations into Condé headquarters at One World Trade Center through a sublease of Condé office space, there is already discord brewing. As reported, sources said the transition has not been exactly smooth and the employment contracts that had to be signed gave plenty of people pause. In addition to everyone coming on for a three-month trial period, giving rise to an expectation of future staff cuts, the contracts include a non-disclosure agreement and 11 “house rules.” Among the rules are “The magazine is a commercial product; revenue comes first” and “The creative process is collaborative; management decisions are not.”

Despite its many allegations against Tonchi, it appears the central issue for Condé is that his purported actions deeply affected the ultimate sale price. As previously reported by WWD, the sale price earlier this year was said to be around $8 million and while the ultimate price Surface paid was thought to be around $7 million, with the departure of the high-profile Tonchi, the price is thought to have gone down to around $6 million. According to Condé, the final sale price is “up to $15 million less than first round indications,” something caused by Tonchi’s “disloyal actions.”

Tonchi’s lawyer, Lani Adler, characterized Condé’s counterclaims as little more than an attempt to “blame Stefano for its bungling of the sale process and its apparent agreement to take what it thought was an unacceptably low price” for the magazine.

“I’m frankly amazed they’re litigating in the public the way they handled the sale process, as well as prepared to disclose in the public record the information they provided to the buyers and presumably whether the buyers thought the information was accurate and or complete,” Adler added.

As for Tonchi’s central claim of wrongful termination and that Condé denied him severance without case, Adler argued that Condé’s own actions up until Tonchi’s termination show cause did not exist.

“If you were to accept the conclusory statements in the counterclaim, it appears Condé has believed since the fall of 2018 that Stefano was acting in ways that constituted cause, but nonetheless kept him employed and did not disclose that until they sold W,” Adler explained. “The implication has to be they wanted to take advantage of his work, notwithstanding they thought him disloyal. Obviously there is a real disconnect and a really exploitative and bad faith undercurrent.”

In general, Condé claims that Tonchi’s actions, from having undisclosed dinners with potential buyers to having an obvious preference for one in particular (described in the response as “a venture capital fund” and presumably C Ventures) violated a set of “rules” regarding the sale and a confidentiality agreement. He also allegedly informed one of the three final bidders of the existence of the other two, something he was allegedly not supposed to do, and when the venture capital fund backed out of talks in mid-April Tonchi informed the third buyer who had also backed out, in an e-mail. “Condé is a real mess,” Tonchi wrote in the e-mail, according to the response. “They let my group go…they walked away from the deal. I am really upset. Let me know if you get any new ideas or future project…I want out.”

The publisher also claimed that Tonchi owed it a fiduciary duty and a duty of loyalty, which he violated. Given that, Condé is not only looking to have Tonchi’s lawsuit dismissed, but it’s looking to recover “all monies paid to him during his period of disloyalty, as a faithless servant.” Condé is also countersuing for unspecified damages, plus interest.

Adler said she “looks forward to trying this case.”

CN accusing Tonchi of trying to extort $1 million and would've closed W if the Surface deal didn't go through
 
BDG’s Nylon Pulls Fashionista EIC for Editorial Director Role

In the run-up to its print relaunch under new owner Bustle Digital Group, Nylon magazine has found an editorial director.

Alyssa Vingan Klein, editor in chief of fashion web site Fashionista, is joining Nylon in the role starting early next month. She will report to Emma Rosenblum, who BDG just hired from Elle magazine to be editor in chief of its new lifestyle group.

In her role, Klein will oversee all editorial operations for Nylon, including the relaunch of its print product on a “special editions” schedule beginning next year. The magazine went digital-only in 2017 after nearly 20 years in print.

Rosenblum characterized Klein as “a rising star in media” and said she’s “always admired her work.”

“She’s a talented editor with an eye for the next big thing and I know she’ll bring that passion and sophistication to Nylon,” Rosenblum added. “We’re excited to see what she achieves in her new role.”

As for Vingan Klein, she remembers “religiously” reading Nylon as a teenager in Virginia.

“I loved the under-the-radar aspect of the magazine’s content,” she said. “I look forward to working on reestablishing Nylon as a title that influences and drives the cultural conversation.”

Before joining Fashionista in 2013, where she started as a senior reporter, Vingan Klein worked as the web editor of Marie Claire for two years and earlier worked at Stylecaster.

BDG at the end of June acquired Nylon for an undisclosed price in a cash and equity deal, making it the growing media company’s seventh acquisition in the last few years. It also marked BDG’s first foray into non-digital media, given that Nylon started in 1999 as a print magazine. BDG plans to dip its toe into the print world with Nylon, starting with some special issues in 2020.

As for its earlier acquisitions, most of which have been distressed (meaning inexpensive) digital-only assets like Mic, The Outline and Gawker, the latter seems to be giving BDG the most trouble. After buying the site out of a prolonged bankruptcy case, Gawker has suffered two false starts. Early this year its only two reporters left in protest over editorial director Carson Griffith. BDG then in late March made a relatively high-profile hire in making Dan Peres its editor in chief, but that was also short-lived. Industry chatter had it that Peres was unable to lure enough talent, either because of budget constraints, optics or a combination of both, to actually revive the site and get it publishing on sectors of media, tech, society, entertainment and culture, snarky coverage of which the original Gawker was known for. Given this trouble, Peres and the rest of the still-small Gawker staff were let go last month and the relaunch put on hold indefinitely.

Nylon, being much more in BDG’s wheelhouse of coverage geared toward Millennial women, not biting reportage and industry gossip, seems less likely to meet the same fate

Nylon back in print next year
 
Good for Condé not backing out. Seems like they’re really pissed at Tonchi does not care for the negative publicity this brings.

Though “faithless servant” is both shady and an awful statement to characterize an employee.
 
.....he actually interfered “in order to achieve benefits for himself.”

Meaning he tried to make sure the new buyer would naturally take him on as EIC?
CN doesn't have the best rapport, but good on them for telling their side of the story.

WWD must be in 7th heaven over this messy mudslinging.
 
.....he actually interfered “in order to achieve benefits for himself.”

Meaning he tried to make sure the new buyer would naturally take him on as EIC?
CN doesn't have the best rapport, but good on them for telling their side of the story.

WWD must be in 7th heaven over this messy mudslinging.

Seems likely. Maybe EIC and non diminution of salary & benefits (which is normal tbh)

However, any publisher with an eye and good common sense would clearly back out of a deal that includes Tonchi. You don’t need perfect vision logic to be able to see what he’s done to W.

Also, rarely would a publisher who purchases a magazine allow the incumbent EIC to remain. New management, new vision. If such was what he was bargaining for, it was a wrong bargaining chip. It effectively deprives management of its prerogative to appoint whomsoever they feel would best represent Surface’s vision. Clearly, no one would be interested. This could work IF you’re a marketable title (Vogue, Bazaar, Elle), but if not, sit down and be grateful.

Mad props for trying though.





Question: does this mean that W Magazine Korea is also now under Surface? If not, it’s odd that W Korea is still being published under Condé Nast International / Korea, while US is under Surface.
 
Last edited:
Question: does this mean that W Magazine Korea is also now under Surface? If not, it’s odd that W Korea is still being published under Condé Nast International / Korea, while US is under Surface.

As far as I know, they're separate entities. Kind of like the Brants who may own US Interview, but not German Interview. So CN only sold the American license of W, not the Korean one.
 
Anna has more power than ever

The new Conde Nast global structure.

https://l.instagram.com/?u=https://...neMLwiuvR3kgZjr6yw3PuXJftfuvWbh74L_xLGYjRCrKM

Global Content Functions: Anna Wintour, U.S. Artistic Director, Editor-in-Chief of Vogue U.S. and Global Content Advisor, will continue in her role as U.S. Artistic Director and Editor-in-Chief of Vogue U.S., and will add Global Content Advisor and oversight of Vogue International to her responsibilities. In her expanded role, Wintour will advise the executive leadership team on global content opportunities and act as a resource to editors-in-chief and editorial talent worldwide.
 
Guess she's staying for a bit more unless she puts another editor-in-chief and focus on her other positions but that is just reaching at this point.
 
Who will take her advice anyway ?

Anyone that wants a mainstream, commercial consumer product that is successful.

LOL @people that are convinced Anna is clueless/directionless/diminished/will be let go…

Her and her Vogue is still the standard in fashion to the general public. She may have abandoned high fashion a long long time ago and I’ve lost interest in it some 20 years ago, but as far as the masses are concerned, her and her Vogue remains the first and last in what “fashion” means.
 
She is the greatest value of CN right now to be honest and she has managed to make her Vogue a relevant platform culturally.
Great for her but at the same time, it’s a bit dangerous to give someone that much power. She worked for it and proved her value but CN is so dependent of her and the fact that it’s more and more obvious that I feel like they are holding on to something.

She needs to write a book... « How to make it in a corporate world ». I would buy it!
 
What impresses me about Anna is that she's managed to carve out the same sort of position in the corporate world as innumerable men do. Unlike most women, her actual performance isn't scrutinised, her previous failures aren't mentioned, and she gets to operate as a public figure who radiates unquestionable authority.

I'm not saying that's good thing - but it's one hell of an achievement. I'm not impressed by any of the products she's responsible for, but I believe she deserves total recognition for how she's established and promoted herself as a figure in this industry. Her greatest success in business has always been herself.

Every month, through the pages of Vogue, she was selling you the idea that over-valued products are going to make a real difference to your life. And all the while, she's applied the same approach to selling everyone the same idea about herself.
 
Helen Gurley Brown became the international editor of Cosmopolitan after she stepped down from the eic position. Who knows, maybe Anna's career is getting a similar epilogue.
I never liked her Vogue much, but I'm afraid Vogue (and other fashion magazines) will become even less relevant after she's gone.
 
https://nypost.com/2019/08/14/anna-wintour-expands-title-in-conde-nast-reshuffling/

By Keith J. Kelly


Anna Wintour’s already big job just got bigger.

In a series of big changes at Condé Nast announced Wednesday, Wintour — the editor in chief of Vogue and artistic director of all the US — was also named “global content advisor” for the company’s international brands. The new role gives her more authority over Vogue’s International Brands and places her in an advisory role to Condé’s other overseas magazines.

The changes unveiled Wednesday were the biggest since Roger Lynch, a former Pandora executive, was tapped to succeed Bob Sauerberg, the former CEO of domestic Condé Nast, and unite for the first time domestic Condé with the international wing that Newhouse once headed. But while Lynch has the title of CEO of both of the once separate wings, he spent the first few months since his April appointment on a worldwide listening tour.

“One of my top priorities have been to define our organizational structure so that we can take full advantage of our unique growth opportunities and exceptional content around the world,” said Lynch in a statement.

Wintour’s move was the top liner in a company press release and it adds responsibility for international Vogue editions, although her role on other overseas issues is only advisory. The company also pointed out that The New Yorker’s David Remnick, the other big star in the Condé orbit, will bypass Wintour and report directly to Lynch.

Wolfgang Blau, the president of London-based International who was reporting to Newhouse in the past, will oversee all non-US markets as president international and chief operating officer in the new lineup.

The forgotten man in the new lineup is Newhouse, the former chairman of Condé Nast International and a first cousin of family patriarch Donald Newhouse. Jonathan’s only role now is to serve as chairman of the eight-person board of directors that for the first time has two outside directors: Mike Perlis, a former CEO of Forbes Media and a top executive at Japanese investment firm Softbank, and former Gucci CEO Demenico de Sole. Those changes, reported exclusively by The Post, were quietly made months ago and not mentioned in Wednesday’s announcement.

The London-based operation returned to profitability in the last year—something which has so far eluded the domestic wing, which is cutting losses but is still believed to be at least two years away from returning to the black. Losses in 2017 and 2018 for the domestic wing were estimated to be a combined $200 million.

Oren Katzeff, president of Condé Nast Entertainment will expand the company’s digital video, film and television operations into a global network of video teams supporting all markets. The company said it is generating 1.1 billion video views per month. Conde Nast is making a big bet on that area for the future as it anticipates further declines in print advertising revenue.

In other moves, Pamela Drucker Mann extends her footprint overseas as the global chief revenue officer, and president of US revenue. Jamie Jouning, was promoted to chief client officer and will oversee key global accounts, multi-market deals and central digital ad operations.

The company also said it is still looking for a chief marketing officer to oversee a new consumer marketing organization, designed to get consumers to pay more the products the company produces, which will help to lessen dependence on advertising.

Also Condé Nast said it is still in search mode for executives to oversee on a global level the functions of people, finance and communications.

Glad that Remnick doesn't have to report to Wintour
 
Anna has more power than ever

The new Conde Nast global structure.

https://l.instagram.com/?u=https://www.condenastinternational.com/news/conde-nast-announces-new-global-leadership-structure&e=ATODxy0-yMbk6E5wZy9N3RQb1V_lIyCW6nneMLwiuvR3kgZjr6yw3PuXJftfuvWbh74L_xLGYjRCrKM

Global Content Functions: Anna Wintour, U.S. Artistic Director, Editor-in-Chief of Vogue U.S. and Global Content Advisor, will continue in her role as U.S. Artistic Director and Editor-in-Chief of Vogue U.S., and will add Global Content Advisor and oversight of Vogue International to her responsibilities. In her expanded role, Wintour will advise the executive leadership team on global content opportunities and act as a resource to editors-in-chief and editorial talent worldwide.

In what time she will do all those things? she has an army of minions?...it's inevitable that one thing is gonna suffer...in this case the magazine is already suffering...she should be training now a new EIC of Vogue so she can keep the highest position as advisor and artistic director, that i assume she would prefer....

She is blinded by power...
 

Users who are viewing this thread

New Posts

Forum Statistics

Threads
213,411
Messages
15,221,424
Members
87,300
Latest member
bersolli
Back
Top