kokobombon
Well-Known Member
- Joined
- Oct 7, 2007
- Messages
- 18,676
- Reaction score
- 2,046
Same old same old in terms of photography and composition but I like the selection. I don´t think that anyone´s missing, is there?
Announcing... The 2nd Annual theFashionSpot Awards. Vote NOW via the links below:
Designer of the YearThank you for participating!
VOTING WILL CLOSE 27/12/2024 EOD!
4 out of the 13 women are repeats, the rest all debut for the Hollywood issue......
I love the somber tone of it, and it makes it that much better to have Diane Keaton just being her damn self on the end there. Things like that are what make photographs like this interesting. It adds dimension, it tells you something about her and, by extension, everyone else in the photo. This is such an improvement over last year's photo.
Is anyone know when this issue will available on newstands?
Totally second this comment, love Keaton for always being herself!I am so surprised by the negative response to Diane Keaton here, that's just how she f*cking dresses! That's her "style"!!! I don't WANT to see Diane Keaton glammed up like Joan Fonda or Helen Mirren, that's not who she is. She's earned it, let her be.
But wait this is a March issue? I thought it's a Special Hollywood Issue they are doing now, and March will be Style Issue this year? Strange!
Diane Keaton ever the whimsical creature!
Yes, Those Are Diane Keaton’s Own Clothes on the Hollywood Cover
by Rachel Tashjian
Hollywood PortfolioFebruary 1, 2016 6:01 pm
The iconoclastic star wears a hat from the same designer who made Sylvester Stallone's fedora in Creed.
Vanity Fair’s Hollywood Issue cover is, among many other things, a major fashion event. But Diane Keaton, in the kind of perfectly tailored coat, hat, and swatches of polka dots that exemplify why a Cult of Keaton has sprouted around the star, seems to have inspired particular enthusiasm. When we released the cover earlier on Monday afternoon, fans wasted no time zeroing in on the icon’s defiantly personal style, which is at once completely outside the rulebook of classic Hollywood glamour (read: a big poofy gown), and yet totally of a piece with Annie Leibovitz’s celebration of female power.
According to fashion and style director Jessica Diehl, Keaton’s choice to wear her own ensemble was two parts her singular brand of Keaton spunkiness, and one part her collaborative spirit. Diehl spent 45 minutes on the phone with Keaton before the shoot, during which the two struck on the idea of a tuxedo—a familiar arrow in Keaton’s fashion quiver. But then Keaton suggested something else: “‘Or I could wear something like my favorite person, Paul Harnden, but that’s probably not dressed up enough,’” Diehl recalls her saying. “And I was like, ‘Yeah, maybe not, but wear it and when you get here, we can always see.’”
When Keaton arrived—chipper and ready for her close-up at 7:45 A.M., in her Harnden morning coat, leggings, and studded engineering boots—she began looking through the natty, menswear-inspired pieces Diehl and her team had pulled. “And she’s like, ‘Oh, I love this, I love this,’ and then Annie said, ‘Yeah, I love that too, but you kind of already look great!’”
Harnden, a British designer, is a favorite of John Galliano’s, who described him in 2010 as “doing that rough kind of tweed and stuff” but “very Greta Garbo” in his accessibility. Keaton’s polka-dot scarf and pocket square are Ralph Lauren–designed, and her hat is by Baron Hats, the milliner of choice for many costume designers (they created Sylvester Stallone’s fedora in Creed and Samuel L. Jackson’s gaucho-style hat in The Hateful Eight).
“It worked out because she took the time, like a proper collaborator, to spend 45 minutes on the phone trying to figure out what we’re doing as a bigger picture, and how she could fit in there,” Diehl says.
And in the end, it was the sense of wonder Keaton’s personal style inspires that makes her cover appearance so memorable. “Sometimes, when you get somebody like that, who has taken so much time to hone her personal style, you’re almost an idiot to try and improve upon that in five and a half minutes.”
So Diane got away with wearing her own outfit.......
Source: http://www.vanityfair.com/style/2016/02/diane-keaton-hollywood-cover#10
Slouch, slump. Drab, dreary. Slack-jawed, lifeless expressions. All as expected with Annie. I don't like that they covered up Viola Davis's body with J Law, or that they stuck Gugu and Lupita in the far back - Vanity Fair has done this before with black actors and actresses... That look on Rachel Weisz's face - that's how I feel about this cover!
By the way, Helen Mirren has her hand on Diane Keaton's bum, and Saoirse seems to be missing a leg.
LA & NY February 4th and rest of the US February 8th.