blueorchid
you soft and only
- Joined
- Apr 4, 2009
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More hurt feelings. We really can’t discuss this topic civilly can we? 😭
But it does. Just like not being able to wear the clothes comes from a deeply personal and highly social condition. Society determines who we are and our opportunities. Ask yourself, why are you, as a man, not wearing ALL of it? because, in addition to reasons only you know, it's social suicide, you cannot afford to make that decision unless you plan to reduce your social standing (not get invited to hang out, whispers, saying goodbye to promotions, being only able to get non-traditional jobs, mostly at night). It is cruel and unfair, yes. Claiming it is just creativity is a very superficial way of looking at fashion. It is creativity and it is applied arts, even when it's not entirely functional, it is functional enough to reach a runway through the movement of a living person, always.
I actually think the balance of twitter vs real life discourse might need some adjustment for you. This..
'we have the SAME experience as women when talking about womenswear!! you disagree?! JK ROWLING!! TERF!! RADICAL FEMINIST!!'
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.. this is what's giving twitter. It does not happen in real life. You would not walk into, say, Bloomingdales, or any place that tends to be packed with women, go through the racks with this same loud and dismissive 'this female designer is laughable! what a stupid woman!.. they really gave her the job because she has ovaries lol' (stuff that has been said here) and expect that to go down well. I doubt anyone would tell you anything, except for slowly getting away from you thinking that's one unhinged dude and acting like they can't wait for you to stop being weird and leave. But if they did say 'well.. I think that's super sexist', you screaming 'this is an egregious lie! you're a radical feminist! are you JK Rowling?!'.. that's not the eye-opener you think it is. It really isn't a thing among women. If anything, I think that the average woman is far more critical in real life than online because spaces are a bit more segregated, it's not in written form and there's more freedom. These are insults coined by men, the more modern version of 'hysterical!' 'you're probably menstruating!', but with the phony intention of not making all out to be 'the same', and that there's just a category of unhappy, bitter, radicalised women that won't let you be and enjoy what you're entitled to. Which brings me to the question: what is not radical feminism for you? someone that just does the work and goes home but remains neutral and non-critical on her field or on who the major players are in it? is that a healthier version of 'feminism'? if this is applied outside of fashion, would it be the same, in say, finance?, and... just.. why is menswear design not as triggering for men? is it just less fun and exciting?
Like I said in my previous post, I think this reluctance to listen and this insistence to reduce any opinion from sexism within fashion (just to recap: yes we all know not all comments are sexist and that male designers face high scrutiny too, the debate came from the recurrence of sexism when it IS female designers).. that's not going to work on your favor in the long run. I don't know what 1 Granary is but 257k followers is not nothing. This used to be a topic on some obscure corners of the internet such as tfs and by very few. By pushing back without any interest (nor humility) in rewiring notions on womenswear and the politics behind it and its primary market, you're inadvertently contributing to a debate that is entering the mainstream and that will not benefit those you want to protect against all reason, in any way.
If anything male designers have it ten times harder. Just the announcement of their appointment to a design position these days is enough to send the internet and press into meltdown mode. Case in point : Seán McGirr. These people have to fight against literal mobs in order to just legitimise and validate not only their appointment but also just their right to exist in the industry. No one would dare to criticise the appointment of a woman to a prominent design position in this cultural climate in the same way. You would be cancelled within one second. Do you think that is a healthy and fair and progressive society? I don't think so.
I digress. What I take issue with, is with what exactly the author of that Granary article is trying to say? That we should have praised Viard's work regardless of how bad it was simply because she is a female at a "fashion powerhouse" and that we should lower our expectations because it's not fair to her given recent history? Or that we should be (falsely) and hyper critical towards male designers just to balance out the criticisms of Viard's work? What is the end goal of her thought piece? Why can't she just accept the fact that Viard's Chanel oeuvre was not good?
Trust me, I don’t take offense. I know obscurantism dominates fashion these days. You are actually trying to respond to my points, making an effort (despite zero critical thinking or notions of what context means) in five paragraphs, and confused even by your own intent and what is driving your response. I know fashion’s your passion and anything out of ‘Chanel-Virginie-Chanel-Virginie’ will go over your head but the most simplified, watered-down explanation is that it was the type of commentary when a female designer unequivocally or debatably fails. Not that she’s a woman, or that she’s talented or that men suffer, or that men do not receive criticism.I'm sorry but I don't understand a single word of what you have written here? I would love to respond to your points, but, with all due respect, everything you wrote is so poorly worded and confusing to me that I shan't even attempt it.
No one said she can’t be criticised. We’ve all criticised her and some of us have explicitly said she’s not above criticism and in my case, that her designs are abominable. Maybe you missed some of the posts (I know some were reported and removed) but they did come with sexist tones and in the case of Maria Grazia, someone even said something about her only getting the job because she menstruates (different wording). That’s where this debate stemmed from. Yes, not all commentary was like this and sure, that ovaries comment came from someone that belongs to a departing generation, but it still brings a question that is not ‘bizarre’ at all on why is commentary towards female designers like this, so damn unhinged, and male designers never ever hear something downright homophobic. Even this ‘hmm you may want to rephrase that’ has them clutching their pearls like ‘how dare you question gay men!’.. so now we have a debate on why oh why do they feel above questioning, it really isn’t a human right to design womenswear.Why can't we criticize her? m
No I didn't see them, but my entire point is that we should leave identity politics aside. The only relevant identity is "creative director".No one said she can’t be criticised. We’ve all criticised her and some of us have explicitly said she’s not above criticism and in my case, that her designs are abominable. Maybe you missed some of the posts (I know some were reported and removed) but they did come with sexist tones and in the case of Maria Grazia, someone even said something about her only getting the job because she menstruates (different wording). That’s where this debate stemmed from. Yes, not all commentary was like this and sure, that ovaries comment came from someone that belongs to a departing generation, but it still brings a question that is not ‘bizarre’ at all on why is commentary towards female designers like this, so damn unhinged, and male designers never ever hear something downright homophobic. Even this ‘hmm you may want to rephrase that’ has them clutching their pearls like ‘how dare you question gay men!’.. so now we have a debate on why oh why do they feel above questioning, it really isn’t a human right to design womenswear.
Do you feel the fabric changes? I read that the fabric has been thinner since maybe 2022, and the change would make further alteration down the line pretty impossible.No I didn't see them, but my entire point is that we should leave identity politics aside. The only relevant identity is "creative director".
When it comes to MGC, I have another anecdote to share as a consumer who happen to love fashion. The recent jackets from VV tend to require "surgeries" including re-cutting the shoulders to make them less oversized. Most people here know that re-engineering the shoulders is a lot more costly than simply taking in the back or shorten the sleeves (from the shoulder seams). When you make big shoulders for social media girls, the real life women need more help from the tailors. My alteration sheets filled out by my trustworthy seamstress recently have been very lengthy and on average from the time I pay for a jacket to the time I wear it, it takes around a month or two and 2 to 3 fittings. These are all "free" of course but this is partly why the retail price has to be raised to maintain the same gross margin. My sense is that the alterations of late are getting more elaborate. VV's dress making and pattern cutting seem to be all over the place.
MGCS's Dior needs much less work. The Bar jacket wasn't changed all that much, at least around the shoulders. Any alternations are contained. There is continuity to the silhouette (thank you for not making those giant social media shoulders) and the level of quality. Putting the two side by side, maybe MGC is boring in comparison? But she is just a lot more reliable.
Being "iconic" doesn't mean that it was a) good or b) beyond criticism.STOP putting that bikini as a questionable design, it's been referenced so many times soo many times, it's iconic, most of the questionable things Karl said or did were iconic, it's a worse crime to be boring ALWAYS
Why can't we criticize her? Let's stop this victim thing...when it comes to fashion results, it's pure meritocracy. If you sell fewer garments and the ones you sell are logo Tshirts priced at $3,000 a piece, it's not good. Who cares if you have a penis or not.
But on the flipside... it's perfectly fine for gay men to make braindead criticisms of women (she has a job because she has ovaries!!!!), or generalizations that gay men love to design for women because ~women are strong~ AND ~"adore women because they adore beauty"~ (oh, we're dolls, our only value is in our beauty?), etc. It's a two way street.It might be possible to tolerate a certain person's relentless, unilateral self-obsessed dogma if it weren't punctuated with creepy generalizations about gay men, bizarrely (intentionally?) ironic comments about men's bodies, and generally strewn with the mindless hypocrisy of rigid religious thinking.
But on the flipside... it's perfectly fine for gay men to make braindead criticisms of women (she has a job because she has ovaries!!!!), or generalizations that gay men love to design for women because ~women are strong~ BUT ~feminine~ (oh, we're dolls?), etc. It's a two way street.
Yes. I think I posted about the extra fabric in-between seams earlier.Do you feel the fabric changes? I read that the fabric has been thinner since maybe 2022, and the change would make further alteration down the line pretty impossible.
(The OP was alluding that Leena was responsible for the quality drop of Chanel, and the main reason for VV's exist that the most of the colleges she worked for over the past 20 some years all been let go. Although this is pretty unrelated to what you have posted )
There was an earlier discussion about this: They used higher prices and fewer units sold to generate higher revenue. In an ideal world, you raise prices by a bit but you want to sell more units due to strong demand - and you want to maintain the stronger demand than supply (Hermes). Chanel is the opposite right now. This is regarding RTW only.since sales continued to grow under their tenures