DosViolines
far from home...
- Joined
- Aug 21, 2005
- Messages
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whitakerauctionBeaded Black Chiffon Flapper Dress
whitakerauctionBeaded Black Chiffon Flapper Dress
whitakerauctionBlack Asuite Shawl & Armband, 1920-1930
whitakerauctionSilver & Grey Flapper Dress, 1920s
lacma.orgGeorges Doeuillet (France, circa 1875 - 1917)
Woman's Evening Dress, circa 1926
Costume/clothing principle attire/entire body, Sequins and metal and crystal beads on silk chiffon; silver lame underdress
lacma.orgFrance
Woman’s Evening Coat, circa 1925
Costume/clothing outerwear, Printed silk and wool lamé, silk velvet trim, Center back length: 48 in. (121.92 cm)
lacma.orgFrance
Woman’s Evening Dress, circa 1926
Costume/clothing principle attire/entire body, Sequins on silk chiffon and lace
vintagetextileSilk lace/satin dress, c.1920
I love the the long, elegant styles of the early 1920s. Although this brief period is considered transitional from the more structured Edwardian look to the later flapper style, the early 1920s produced some of the most beautiful clothing of the 20th century.
The designer uses tape-like lace in the overdress to create intricate floral/abstract motifs of an almost mesmerizing beauty—a brilliant design achievement that commands our admiration (see the fourth picture down).
Walking room is added to the long, straight slip by deep pleats below the drop-waist. The slip closes on one side with snaps. The dress is basted to the slip at the hipline, creating a blouson effect. The lace skirt is partially open on one side, showing the slip underneath.
vintagetextileBeaded silk crepe flapper dress, c.1925
The dress is fashioned from glowing, burnt orange silk crepe. The beading pattern combines small cut-steel beads with matching bugle beads. The sleeves are cut-in-one with the bodice for a relaxed easy fit. The dress can be pulled in at the hipline with ties if desired.
vintagetextileHandmade lace/embroidered flapper dress, c.1925
Fashioned from white cotton organdy, the dress is embellished with fine hand-embroidered whitework. The front and back panels of embroidery are framed with bands of handmade filet lace. I love the wide scalloped hem border of filet lace.
this dress!vintagetextileFrench beaded chiffon dress, c.1924
The dress consists of two separate pieces: a solid beige silk crepe underslip and a beaded chiffon overdress. The beading pattern combines coral, blue, and green glass beads. The sunflower motif, which has pride of place in the design, subtly draws attention to you.
The overdress has a gold lamé sash. The effortless style is comfortable and easy to wear. Both pieces close on the side with hooks and snaps. The dress has a small label that reads "Made in France."
vintagetextileMixed lace flapper dress, c.1925
This lovely dress, from a wealthy Midwest estate, was obviously very expensive when new. It was probably purchased for a special occasion and worn only once. For the artful sophistication of this dress, we must credit the ingenious layered design as well as the aristocratic gold metallic embellishment.
The layered design is composed of fine needle-run lace and Point de Venise that appear to be handmade. On closer examination, you can see that the laces are superb machine copies of the real thing.
The lace layers are attached to a pink silk slip at the hipline. The design is embellished with bands of gold metallic lace. A gold lamé cummerbund and braided decoration accent the hipline. I love the graceful faux sleeves. The easy-to-wear flapper style slips over the head with a closure of hooks on the slip only.
The label reads "The Halle Brothers Company/Cleveland." Halle Brothers department store was one of Cleveland's finest retailers from its founding in 1891 through the 20th century. The store featured specialty boutiques where Cleveland's elite could purchase expensive dresses.
Provenance: The dress belonged to Virginia Irvin Kildow of Indiana.