Zazie said:
Multitudes,
Thank you so much,

I feel relieved that my comments weren't taken as gratuitous criticism against a very much respected designer.
I'm amazed at the details and hand-work that he put into this collection, it's very much like the way traditional couture is made, lavish, elaborate and beautiful. It's meant to elicit a "Wow! What luxury!", the way you would look at a Faberge egg and be amazed. That's what I mean when I say surface beauty. I guess it's not enough for me, especially coming from McQueen.

. I'm sure he knows it too. Maybe it is really to sell clothes to the sorts attending charity balls, and to get into the red. I don't blame him, I guess. There's that reality that your clothes need to sell enough, but I think he could have opted for a more sophisticated direction. I do believe that however superficial fashion is, clothes can go deeper, and express the soul in a very personal way, not just luxury. Some good designers can do that. What do you think?
You are most welcome Zazie..
I can see where you are coming from... and just to make it clear, when I talk about the surface(beauty) then I don't relate it to superficialness or just luxury...
.. going a little bit off topic here, just to explain this notion of the surface I have.....
When I'm drawing portraits am I only trying to get the appearance or am I conscious of trying to convey qualities of personality?...
No, because I think the qualities of the personality come through in their appearance. Very often a person's appearance belies their qualities, but generally speaking I think that you can, to a great extent, analyse their character from their appearance. And so I am certainly not trying to make a portrait of somebody's soul or psyche or whatever you like to call it. You can only make portrait of their appearance, but I think that their appearance is deeply linked with their behavior...
And I think this kind of notion of the surface(appearance), related to clothing or to any kind of artistic expression, makes it "nomadic", smooth, fluid... than if we persist on this deepth of the subject... isolating expression to a singularity which holds it in place...
I think, It is in the link it becomes interesting, and even more in multiple links... I will go so far as stating that what I express clearly is what "relates to my body"... and that is why I have this emphasis on "sensory perception", as you put it... the violence of sensation... that is where I find what you call "depth"..
And yes some designers are able to do this, and for me, Mcqueen does that here through his cloth, it relatest to my body...
I don't know if this makes sense or if you can relate this to the discussion here.. I hope you can...
