Lanvin S/S 10 Paris

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Alber never dissapoints really. Those drapings get more delicious season after season!!
And loving those chunky necklaces too.
 
wow. these clothes are just waiting to be photographed in an editorial shot by Meisel, Sims.. etc
 
The makeup is actually strangely appealing. It makes me wonder how I'd look if I bleached my brows
 
You don´t like it really? :(
Why??

I´m in lust!!!!!!!!
If only I was a rich woman!!!
Lanvin head to toe for sure!
Lanvin Lust :heart:

Right now I'm just feeling like it's the same as everything he's done before.
I was negative about his fall collection and ended up loving it because of its overdressed-ness. I'm not sure about this one.. :shock:
 
Another fashion high. Always the same ingrediants, but the Lanvin look still seems new and exciting.
 
The colours are just so rich and deep and full of blood. Pure luxury.
 
Paris Fashion Week: Lanvin

Hilary Alexander reviews the Lanvin spring/summer 2010 collection from Paris Fashion Week.


Alber Elbaz Turns Up the Heat in a ‘One Glove, One Love’ Collection

Multi-coloured cocktails – mostly fruit-based – and the swaying sounds of salsa, turned the gloomy Halle Freyssinet, in the 13th - which has been nicknamed 'Hell Freyssinet' - into a carnival in Rio for Alber Elbaz’s joyous, sensual collection for Lanvin.

The designer received tumultuous applause as he took a longer-than-usual bow on the concrete floor which had been the catwalk for a masterful display of cutting, draping and use of colour.
The drape and swathe which stamps Elbaz’s current autumn/winter collection, was still evident, seen in the single, pouf-sleeved cocktail dresses, and the sarong effects on the short skirts, whether in black or navy for day, or vibrant, tropical shades for after-dark.

An LBD, with a high-rise shoulder, detailed with a flamboyant flounce, and the flounce echoed on the slim skirt, opened the show; just a small taste of the feast of fashion to come.

Where one shoulder would be encased in silk, satin or stretch, or enveloped in a cascade of organza, the other shoulder, bared, would extend down to a solitary, gloved arm. Wicked!

Other LBD’s came tuxedo-style, with DJ lapels and a bloused back, sometimes sheer, other times pleated. Ruffles down the centre-back of the matching pencil skirts added more drama to the Grand Exit formula.

The goddess effect was evident in dresses draped like marble statues, falling in soft folds across the shoulder, and, then, evolving into a cascade down one hip.

Just as striking was the jewellery: Waterfalls of beads, gilt and crystals, plunder from an ancient tomb, treasures from an attic, which enveloped the neck, plunged down into the cleavage and, interestingly, were sometimes hidden beneath a veil of silk chiffon or tulle. The spike heels on the shoes were metal and gleamed in the dark.

Elbaz’s queens of the night came to life in evening-wear, fit for an Aztec princess or Egyptian pharoah’s consort; dazzling poncho-style dresses, vertically-striped in blades of gold and pink beads; short dresses shimmering in jungle-green and ablaze with crystals; blood-red beads embroidered on a black vest; all-in-ones glistening with gold.

Elbaz’s collection was a hymn to the regal, shimmering beauty of Woman.
telegraph.co.uk
 
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the jewellery and all the embellishments are just beautiful, i really really love this.
 
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♥♥♥♥♥♥♥♥♥♥♥♥♥ ANVIN :heart:





Thank you, Alber.
 
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