McGirr should be eternally grateful that someone is willing to do all the moonlighting for him because, oh God, he would be so lost at the brand. This collection isn’t as offensive as his debut. In fact, it’s actually okay-ish, but the struggle with tailoring is still obvious, and the rest of the show feels like a bunch of costumes, really. The menswear is a painful afterthought, with the skull blouse as the peak of the pain. I’m not sure he even knows what he’s really doing as the creative director.
I wonder what's the inspiration here. I wouldn't be surprised if he watched Nosferatu and went with the flow, but still, it would be such a shallow interpretation.