Donatello89
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i'm not...really excited.
				
			(...) They stop at a night club, watch some erotic choreography by a couple of African dancers. This scene is reminiscent of one in Fellini's La Dolce Vita (1960), filmed the previous year with Marcello Mastroianni in the lead. But not only do Fellini and Antonioni share a leading man, they also share a script writer: Ennio Flaiano. It's Flaiano's sophisticated dialogue with its dry edginess and Pirandelloesque sub-text that make their films of this period appear to be the work of a single auteur.
As usual, the night-club scene is masturbatory, suggests decadence through ennui. Faintly narcotic, definitely cynical, it's the reinvention of a song-and-dance interlude in live theatre. The choreography is ancient, although the spin is modern. Again, Giovanni fails to be aroused.
Looks like Miranda got cut.

Meisel is shooting both the mens and womens wear campaign. It's safe to assume that both campaigns are the same, just like every other Meisel-lensed campaign for Prada.
And just because Miranda is not in the first ad published, doesn't mean she was cut from the entire campaign.
It's all a question of patience, common sense and not jumping to conclusions.
 
  
 
This is menswear.
The womenswear will be a little different...
Miranda is in it. Definitely.
