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Yes, I meant from designers that are kind of “famous” now. I think Gucci will go for someone established, I don’t think they will risk to change Saturday for somebody unknown.Hard to answer because i don't have overview of every talent out there at other houses, but i hope it's someone we did not hear from yet, but that this person has rigor and vision of world building for a brand like Gucci but also pushes the idea of a luxury house forward, someone that can surprise and be innovating.
Also in a way to unify all the different chapters of the 100 plus history of the brand in amalgamation of creative output.
if it had to be someone well known i have to think longer ...hard not much left to be excited about.
All of the new photographers are too derivative of the past. Tyrone Lebon has made a whole career off the back of Jurgen Teller, and don't even get me started on Ethan James Green. With the right inspiration, veteran photographers still have the potential to create remarkable work. It’s not entirely their fault that they’ve regressed, just look at what they've had have to work with. How would you approach modern Versace and Chanel differently?What are M&M and I&V gonna deliver in 2024? Am I missing something? When have they last produced passable work?![]()
You know those basic-a*s accessory ads Gucci produced just when they were modernizing in the 90s? Before Testino/Carine? Those.How would you approach modern Versace and Chanel differently?
Am I missing something? What plastic cord are you talking about?View attachment 1291418
gucci.com
A bag that shows the plastic cord inside the handle that costs 3500USD.
So risky for them but risks need to be taken with a lot of houses right now we need to ysl moment a Versace shock, someone needs to come up and shock us with something new and fresh it's been years.I said it once, and I am gonna say it again: the main culprits for the creative disaster fashion industry is nowadays, are the HR departments and the headhunters agencies. They need to search outside the same places they always search, to find new talented designers, stylists, photographers, etc.
If you wanna find gold, you cannot keep searching in the same over-exploited mines. You need to look into unexplored ones!
Totally! Without risks there is no gain. They are doing the same; but expecting different results...it´s ridiculous! Time to leave their comfort zone...So risky for them but risks need to be taken with a lot of houses right now we need to ysl moment a Versace shock, someone needs to come up and shock us with something new and fresh it's been years.
By the way, for those talking about a dark, sleek version of Gucci...here´s f/w 2002:
The problem? You need a designer with the taste of Tom Ford to do it perfectly.
By the way, for those talking about a dark, sleek version of Gucci...here´s f/w 2002:
The problem? You need a designer with the taste of Tom Ford to do it perfectly.
M&M made their whole career by copying Newton and Bourdin. Meisel copied everyone possible, from Avedon and Penn to Lorca diCorcia so he is no different than EJG in that matter. New photographers are just so lazy to me. They have technology that allows them to control every detail and yet they keep producing the flattest and laziest work possible. The "old" guard isn't any better though.All of the new photographers are too derivative of the past. Tyrone Lebon has made a whole career off the back of Jurgen Teller, and don't even get me started on Ethan James Green. With the right inspiration, veteran photographers still have the potential to create remarkable work. It’s not entirely their fault that they’ve regressed, just look at what they've had have to work with. How would you approach modern Versace and Chanel differently?
Hmm, I do think the old guard had some social spark, some fashion, a personal POV and some uniqueness to them, even if they copied a lot of the classic masters.M&M made their whole career by copying Newton and Bourdin. Meisel copied everyone possible, from Avedon and Penn to Lorca diCorcia so he is no different than EJG in that matter. New photographers are just so lazy to me. They have technology that allows them to control every detail and yet they keep producing the flattest and laziest work possible. The "old" guard isn't any better though.
Yes would make for a safer bet possibly ....thinking further i feel there is a chance Fabio now being free from Prada and being ex boyfriend of Stefano Cantino now co Ceo of Gucci soon fully in charge of Gucci might be the next duo at Gucci ( after all TF had Dominico and Frida had Patrizio Di Marco and Alessandro had Marco Bizzarri.)Yes, I meant from designers that are kind of “famous” now. I think Gucci will go for someone established, I don’t think they will risk to change Saturday for somebody unknown.
waterproof strategy they must have thought lol even the pool tiles are basic and directionless.I’m so sick of seeing this photo on TFS ads lol. I also saw it blown up as a billboard in NYC. Just so bad…..
View attachment 1291581
Even Frida try to keep the drak sexy mood in Gucci post TF the stores were dark and lots of gold , as much as i love the sleek dark TF gucci it's really almost impossible for how big the brand is now, see how much smaller YSL stayed size wise with similar sexy dark mood even TF own brand, compared to how big Chanel Hermes LV and Gucci got with the Disney pop baroque sugar candy style of Alessandro.only tisci can revive this in his own way