Bernie Flood
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Hearst is ahead of Conde Nasty when it comes to Digital innovationThat rumour just spent a chill down my spine.
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Hearst is ahead of Conde Nasty when it comes to Digital innovationThat rumour just spent a chill down my spine.
A First Look At Edward Enninful’s Highly Anticipated New Memoir
Edward Enninful’s memoir, A Visible Man, will be published in September. Here, a first look at the cover, photographed by Rafael Pavarotti.
BY KERRY MCDERMOTT
22 March 2022
In A Visible Man, Edward Enninful recounts his journey from teen model to the very top of the fashion industry. For a Black, gay and working class immigrant, the trajectory was an improbable one – the stuff of fashion fairytales, almost. Now – thanks in no small part to Enninful’s efforts to champion inclusivity over the past 30 years – the path is clear for countless other creatives from diverse backgrounds.
“An outsider who found his way into the inner sanctum,” is how Ghanaian-born Enninful, British Vogue’s editor-in-chief and Vogue’s European editorial director, describes himself as he reflects on his rise. Despite the front row seats, the A-list inner circle, even the endorsement of the Palace (Enninful was awarded an OBE in 2016 for services to the fashion industry, and is a global ambassador for the Prince’s Trust), he has never let go of that unique perspective, nor his determination to always put inclusivity at the heart of his work.
The portrait that appears on the book’s cover – revealed for the first time today – was taken by Rafael Pavarotti, a young Brazilian photographer emblematic of the change-making that has defined Enninful’s career. “Rafael is still in his twenties, but to me he is really a young master,” says the author. “His pictures always lift the race – he just loves Black people. I chose Rafael because he is someone who understood my journey.” Pavarotti, who is passionate about Black and indigenous representation in fashion, previously captured British Vogue’s February 2022 cover. The story spotlighted nine spectacular African models – Adut Akech and Anok Yai among them – whose success reflects the seismic shift that has been unfolding on fashion’s once Eurocentric runways.
Of course, choosing to champion next-generation talent is characteristic of Enninful’s approach. “I wrote the book for the new generation – the young creatives who have watched me grow up, succeed, and make mistakes – so it makes sense for me to be seen through Rafael’s eyes,” he says. For the photographer, who grew up admiring Enninful’s work, being asked to take the portrait was a “great honour”. “I always admired Edward, and after getting to know him better, I realised he is one of the best people I have ever met,” Pavarotti tells Vogue. “Both personally and professionally, I learn so much from him. This cover reflects his interior, so beautiful and unique, like this book, which is an extension of his universe.”
A Visible Man will be published around the world in September, towards the end of what has already been a milestone year for Enninful, who last month celebrated his 50th birthday and married his partner, Alec Maxwell. “I’d been asked so many times to write a book, but I always said no,” says Enninful, who began work on the project when the breakneck pace of the fashion world was brought to a halt by the pandemic. “This time, it just felt right. This has been a year of change: turning 50, getting married, and now my book. I’m very excited.”
A Visible Man by Edward Enninful will be published on 6 September 2022 by Penguin Press and Bloomsbury.
Tensions between Vice President KAMALA HARRIS and President JOE BIDEN and their teams began before inauguration and involved not just complicated issues like mass migration on the southern border but cover photos of glossy magazines.
In the two weeks before Inauguration Day, Harris dispatched aides to address the upcoming issue of Vogue, according to an exclusive excerpt of the upcoming book “This Will Not Pass: Trump, Biden, and the Battle for America's Future” by The New York Times reporters JONATHAN MARTIN and ALEXANDER BURNS.
The leaked cover photo, which featured Harris in Converse and skinny pants, was “an approachable but less than grand depiction of the incoming vice president,” the reporters wrote. But Harris had been expecting a different photo, one that was ultimately made the “digital cover.” Vogue also eventually sold a limited-edition issue with the other photo.
“Harris was wounded. She felt belittled by the magazine, asking aides: Would Vogue depict another world leader this way?” the duo reported.
Harris’ incoming press secretary SYMONE SANDERS, who declined to comment, reached Vogue editor ANNA WINTOUR to convey Harris’ frustration. Wintour, who did not respond to a request for comment, protested that she had chosen the picture personally because it made Harris “relatable,” according to Martin and Burns.
Incoming chief of staff TINA FLOURNOY was caught “off-guard by the anger in Harris’ circle” and contacted a senior Biden campaign official. Given the country's myriad crises and the recent January 6th riot at the Capitol, “[t]he Biden adviser told Flournoy that this was not the time to be going to war with Vogue over a comparatively trivial aesthetic issue. Tina, the adviser said, these are first-world problems,” according to the excerpt.
doesn't mean she had the understanding that that image would be the cover shoes and all.
Condé Nast workers are unionizing
She’s probably expecting to have a Hillary Clinton post cheating treatment. But budget cut of courseI don't get why this seems so outrageous to people. I'm sure Kamala isn't busy sticking pins in an Anna Wintour voodoo doll right now. A less conventional, more relatable cover makes more sense for Elle; maybe Kamala's concept of a Vogue cover was something with more grandeur and power. She's the first woman VP, that's incredibly significant and should have been presented as such. It's not a moment when pushing for relatability makes sense. I'm sure she didn't black out while the pictures of her in Converse were taken, doesn't mean she had the understanding that that image would be the cover shoes and all. And of course your outfit when you're on the campaign trail doesn't have to be how you're dressed on the cover of Vogue...
This is what happens when you hire people who actually need to work for money and not trust fund babies looking for a glamorous job.