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You kind of answered your own question. It's not baffling at all. People can say all they want about Anna's power to make or break a star but the reality is that the models who have become icons, were already validated by fashion and/or the public in elsewhere (either in a brand, a show, entertainment, etc), Vogue helps to seal that success but does not single-handedly create it, and when they try to make someone happen just for the sake of it, they produce fiascos like Trentini, Trish Goff, Karen Elson, Lila Moss, Anna Jagodzinska.. just the most pedestrian, bland, vanilla, one-dimensional models who are shoved repeatedly down people's throats in hopes the public accepts them as the spokespeople of all things unattainable and high fashion, when the only thing they represent is the square mind of their creator, especially because due to that insistence that they're the 'absolute best', they never challenge themselves so.. that's Kendall for you 10 years later, one-trick pony Trentini, an expressionless Raquel, and all the others. Anna's disproportional hype never allows them to blossom as models and produce something to compensate for the Aldi cashier looks. Once Anna drops them and moves on, the public automatically forgets them too, because they were never interested to begin with...What is truly baffling to me and I think millions of people here or elsewhere who care about fashion and ''real'' models is that we ALL know that girl can't model, she can't pose, she can't emote like Raquel or jump like Caroline or bring true force like Naomi or beauty like Christy. She's just another boring girl who wouldn't be near a Vogue cover or her career if it hadn't been for her sister to do... you know what. So it's CRAZY CRAZY CRAZY still after 10 YEARS indeed Anna (gosh how stilly...) to still push for a girl who actually proves all of us right lol that SHE CAN'T MODEL so let me ask the biggest question in the history of time itself (looool) WHY IS SHE STILL HERE???
Stop. I'd drop down to my knees for one more photoshoot of Trentini jumping for Demarchelier in this day and age. I didn't know how good we had it.produce fiascos like Trentini
It's not rocket science. In this digital day and age, she and her family will sell sh*t whether you like her or not. Stop looking for talented models when the business model has shifted in favor of internet celebrities and influencers. You don't need talent to sell in this climate, either. Case in point: Kendall.
You kind of answered your own question. It's not baffling at all. People can say all they want about Anna's power to make or break a star but the reality is that the models who have become icons, were already validated by fashion and/or the public in elsewhere (either in a brand, a show, entertainment, etc), Vogue helps to seal that success but does not single-handedly create it, and when they try to make someone happen just for the sake of it, they produce fiascos like Trentini, Trish Goff, Karen Elson, Lila Moss, Anna Jagodzinska.. just the most pedestrian, bland, vanilla, one-dimensional models who are shoved repeatedly down people's throats in hopes the public accepts them as the spokespeople of all things unattainable and high fashion, when the only thing they represent is the square mind of their creator, especially because due to that insistence that they're the 'absolute best', they never challenge themselves so.. that's Kendall for you 10 years later, one-trick pony Trentini, an expressionless Raquel, and all the others. Anna's disproportional hype never allows them to blossom as models and produce something to compensate for the Aldi cashier looks. Once Anna drops them and moves on, the public automatically forgets them too, because they were never interested to begin with...
I am intrigued on why they insist to plug in Forbes' "highest-paid model" title as if it actually said something on her success as a model. That estimate of her net worth considers all types of income. She was already in the top 5 in like year 2 of her modeling career because she made around 5 million per season in reality TV. That has been her full-time job from day one, modeling is a vanity side gig. Going by their criteria, Margot Robbie is actually the "highest-paid model" because regardless of having made nearly 60 million in 'other ventures', she's technically a model when modeling for Chanel 🙃 .. same for Julia Roberts. I would actually like to know what the income from strictly high-fashion brands (not brands she endorses on sm) amounts to annually. I'm sure it's up there, but doubt it's even top 3..
Back to the cover and story, I actually don't find her that expressionless, she seems slightly more reserved and private in a non-natural and more defensive way probably due to the exhibitionism that surrounds her family, and I think that shows in pictures, a conscious choice to never fully let go for an image. She does look great.. the canthoplasty and the waist-defining lipo gave her the range that was never going to come naturally and it does wonders for garments.
If you think she's just as good as Linda or Christy or Yasmeen then we agree to completely disagree.
Are we forgetting Linda was married to Gérald Marie 🤭when the girls worked damn hard to being in the position they were.
No, feel nothing, but do see one thing that's admittedly always gotten in the way for me, not sure how to sugar-coat it but: horse-face. She also did not have features nor a body I found aspirational or memorable, and I seriously can't recall any editorial that made me go 'wow!'. Just.. full immunity.I need to breathe ahahahaha you actually, truly, really and sincerely want to tell me that when you see a model of the calibre of Raquel Zimmermann you don't feel a single thing??? Truly??? You don't see her chameleon skills or her powerful runway walk or every single editorial where SHE BRINGS IT and you want to believe Kendall is a better model??? I'm dead.