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Share with us... Your Best & Worst Collections of Haute Couture F/W 2025.26
vogue.itPicasso
There’s a simple and fundamental reason why this issue of Vogue Italia is dedicated to children, to their new world. It’s because we think they are the most overlooked and least obvious victims of the pandemic that is affecting us all. Without even considering the infringement on their right to play and socialise, it is simply incredible and unacceptable that in many countries, Italy included, nobody yet knows if and how schools will reopen in September (according to a Unesco estimate, 1.54 billion young people around the world have been deprived of their education; no war has ever laid such a heavy claim on a generation’s future). Furthermore, children’s predicament is inevitably compounded by what has settled in their subconscious during these months of confusion and anxiety, the repercussions of which are destined to take shape over time (childhood decides, as they say).
This is why the following pages include many fairy tales. For centuries, such stories have been used as a way to crystallise our fears and thereby come to terms with them. In many of these tales, clothing plays a crucial role because it is the means by which each of us chooses to portray ourselves to others (or conceal ourselves).
Accordingly, we have also taken the opportunity to try and explain to children this strange, often illogical, but still uniquely wonderful world of fashion – which, like in a fairy tale, will have to endure a rite of passage in these coming months, profoundly calling itself into question to earn its place in the future.
So, in this issue you’ll encounter dragons and imaginary friends. Drawings that come to life. Rodari and Munari. There are girls who fight to avoid being trapped in towers, and who need no prince to save them anyway. There are others who want more diversity in children’s books, too. And rightly so, because those are pages where children really should be left to colour in their own dreams. You’ll find letters to children and grandchildren about life and other catastrophes. Eight-year-old Luca proposes a collection of superpowered jumpsuits to Armani, who has written him a reply.
For the picture accompanying this editorial, I have to thank my son Jacopo who has made me look much better than I do in real life (his sister Giulia has contributed one of the drawings that you’ll see in the article “Prova d'artista”). As for the covers, which have been entrusted to eight very young artists (aged between three and ten), I think there is little to add to the poetry of the images. Just something Picasso said, quoted somewhere in this issue: “It took me four years to paint like Raphael, but a lifetime to paint like a child.”