Discussion: Who Should Be The Creative Director of Gucci?

Bellettini was riding on a high just a year ago with that profile on turning Saint Laurent to a 3B brand… how tables have turned. No matter how much they spin it, whatever equity Gucci had 18 months ago has now evaporated. Is she seriously delusional enough to say that the brand is stronger when it has been severely cheapened during Sabato’s tenure?

Elevated products? They started using cheaper clasps for chrissake!
 
Pure ideology here—the only reason you'd use a phrase as bizarre as "the natural order of a luxury brand" (what is that supposed to mean?) is if you were trying, as this article does, to pin blame on unrestrained creative directors. Now we're meant to believe there's a great chain of being, in which creative directors naturally follow the wisdom of CEOs. Like him or not, Alessandro Michele revived a stagnant, mismanaged brand, not one that was peacefully regulated by some sort of "natural order." Are they mistaking the doldrums of the Frida Giannini era for a golden age? And did Tom Ford's radical hedonism not alienate the "loyal legacy customers" of his time? It's all absurd, ahistorical nonsense.
yes here i disagree with her even if she is trying to say that the company has to decide first what type of brand they want before leaving it to a creative director to fill in the story every time ...

its the LV & Hermes style where the creative director is the guest in the house as a guest you behave by house rules ......in this case house codes of style and direction ...(hermes has a research department that looks at everything outside and decides if the object or colors or inspiration can be hermes or not )

simple example is the stores if you travel a lot you will see there are 4 different store concepts of past creative directors this is not the case for LV or Hermes the updates on store concepts are far less jaring and more subtle the product stands out.

being a 100 plus year old company they want to establish some continuity i get that, even if they cut corners constantly by having creative directors going in different directions, its the fault since day one to not keep a core collection based of past icons this was even under tom just starting to be developed but with frida got cut off.

its the curse of the familie and lady Gucci lol ...never being able to establish stability in vision
 
us.fashionnetwork.com/news/Kering-embarks-on-second-gucci-relaunch

Kering embarks on second Gucci relaunch​

French luxury group Kering has been hampered by Gucci’s underperformance in 2024, and is pinning its hopes on its flagship label's turnaround to steady its course this year. According to Kering's top executives, in the past two years Gucci has undergone a drastic efficiency therapy, and has consolidated its fundamentals by putting its rich heritage centre-stage, for example launching revamped versions of some of its signature handbag models, like the Blondie, Jackie and Bamboo. The arrival of a new creative director is expected to inject the directional vibe and desirability that Gucci is currently lacking.
Gucci accounts for almost half of the Kering group's revenue, and two-thirds of its operating income. However, its sales have been plummeting of late, slumping further throughout 2024. The Italian luxury label ended the year with a 23% revenue shortfall (and a 21% one on a comparable basis), down to €7.65 billion.

Gucci has recently been working on the quality of its articles, and on different product lines with complementary strategies. For example, it introduced entry-level products to attract a more extensive clientèle and capture new customers, while still focusing on its more upmarket collections. “There is no question of abandoning the aspirational customer segment. It's one of the key segments for our positioning. We intend to remain very relevant, very strong in this segment, while adding a more upmarket niche in what we call our brands’ elevation strategy,” said Kering CEO François-Henri Pinault.

On February 6, Gucci dismissed Sabato De Sarno, who was in charge of style for just three seasons. De Sarno had succeeded the iconic Alessandro Michele, and was presented at the time as the embodiment of a new chapter for Gucci, associated with a repositioning towards the highest end of the market and a more minimalist aesthetic, more in tune with the Florentine label’s heritage. “Alessandro's style was downright maximalist, while Sabato De Sarno's aesthetic approach was less extravagant, less maximalist, but it allowed us to do exactly what we wanted,” said Francesca Bellettini, Kering’s deputy CEO in charge of brand development.

During the conference with analysts held after the publication of Kering’s annual results, Bellettini explained how Gucci cemented its position during this period by drawing on its fundamentals, notably leather accessories - like its iconic handbags and classic moccasins model, which have been re-introduced in new versions - whose performances in the fourth quarter were “very encouraging.” In a way, Gucci’s post-Alessandro Michele relaunch does require a first phase in which the slate is wiped clean, reconnecting the label’s style with its historical identity, before triggering a second phase underpinned by the appeal of a more directional aesthetic.

In other words, upending everything with the arrival of a new creative director isn’t on the cards
. Bellettini made it crystal clear: “We are not entering a new transition phase, we won’t slow down the label’s turnaround. We’re moving forward according to plan.” Bellettini denied that hiring De Sarno was a mistake, saying that the last 18 months allowed Gucci to reconnect with its history and traditions, elements that “have never been so strong,” as she put it. “We have focused on the brand’s heritage and tried to elevate our products, to make them consistent with Gucci’s heritage, while adapting them to the present times. There is no doubt that the basis on which we’re now operating is much more solid than it was 18 months or two years ago,” said Bellettini.

But this is only one of the label’s twin facets. The other being creativity. This new phase in Gucci’s relaunch is “the perfect time to inject creativity, directionality and desirability, elements that Gucci needs to recreate the unique dichotomy that characterises the brand, in which tradition and fashion must always go hand in hand,” said Bellettini, adding how “over the past 18 months, we have focused a little more on tradition by improving product quality. It's the ideal foundation to now introduce creativity and fashion, while continuing to preserve what has been done in recent months.”

This foundation rebuilding phase has also been accompanied by an in-depth managerial reorganisation at group level, noted Pinault. “In this first phase, my priority for the group has been to develop its labels using a self-contained approach, putting in place for each of them the right managing director and the right creative director, while building the right distribution network. We have now started to expand the brand's customer base, which requires a much more nuanced approach, with a greater emphasis on retail expertise, etc.”

Stefano Cantino has therefore been promoted to the role of Gucci CEO, assuming his post at the start of 2025. The name of Gucci’s new creative director remains unknown, but ought to be revealed soon. As Bernstein analyst Luca Solca cheekily suggested, it might be Hedi Slimane, “who is renowned for his pared-down designs, much like Tom Ford was when he worked at Gucci, and was so successful at the turn of the century.” Indeed, Slimane’s name is the most frequently mentioned in conjunction with Gucci's job. But, with Kering’s back against the wall in terms of its flagship label’s appeal, for the group as a whole Gucci's relaunch will have to work out just right.
 
At this point - I can't believe I'm saying this - I'm all for Hedi at Gucci. It would make sense. He has a very product-oriented approach, he's a master merchandiser and, above all, has a taste for quality, whatever you might think of his repetitive styles. Plus, moving from a fake-heritage brand like Celine to a real one could give him more scope and points of reference. And I guess he's still in good terms with Bellettini. I mean, if the alternative is Mary Grace...
 
At this point - I can't believe I'm saying this - I'm all for Hedi at Gucci. It would make sense. He has a very product-oriented approach, he's a master merchandiser and, above all, has a taste for quality, whatever you might think of his repetitive styles. Plus, moving from a fake-heritage brand like Celine to a real one could give him more scope and points of reference. And I guess he's still in good terms with Bellettini. I mean, if the alternative is Mary Grace..

- Slimane never got along with Francesca Bellettini, his boss at YSL. She was in charge when they exited him according to Author and Columnist luxury analyst susanna collitti.....
 
- Slimane never got along with Francesca Bellettini, his boss at YSL. She was in charge when they exited him according to Author and Columnist luxury analyst susanna collitti.....
Yeah anyone who thinks Slimane has a chance of going to Gucci is smoking something strong. That's the model the Kering execs are trying to break; Hedi left at least in part because he wasn't given enough control of YSL. Pinault et. al. are simply too arrogant to walk back on that one, hence this round of thinly veiled propaganda to reassure investors.
 
- Slimane never got along with Francesca Bellettini, his boss at YSL. She was in charge when they exited him according to Author and Columnist luxury analyst susanna collitti.....

Nothing is forever in fashion, including feuds between executives and designers (see A. Michele and Kering joining forces soon; or Hedi going back to LVMH after the SL days). If Slimane is after total creative control, he'll have a hard time going anywhere these days, we know the power balance has shifted to the suits camp and they won't let easily go.
Pardon my ignorance, but I have no idea who this Ms Collitti is and frankly I'm tired of giving credit to the gossip of random people. Even if it were true that Slimane and Bellettini are not in good terms, in the end Slimane would have to deal with Cantino and he has enough credibility and broad shoulders (metaphorically) to not be intimidated by either of them.
 
So maybe KJ will be a better fit at Gucci who knows...

Hedi will be great but only in theory...reality is there are so much things against that situation that it won't happen...
 
Nothing is forever in fashion, including feuds between executives and designers (see A. Michele and Kering joining forces soon; or Hedi going back to LVMH after the SL days). If Slimane is after total creative control, he'll have a hard time going anywhere these days, we know the power balance has shifted to the suits camp and they won't let easily go.
Pardon my ignorance, but I have no idea who this Ms Collitti is and frankly I'm tired of giving credit to the gossip of random people. Even if it were true that Slimane and Bellettini are not in good terms, in the end Slimane would have to deal with Cantino and he has enough credibility and broad shoulders (metaphorically) to not be intimidated by either of them.
she is not random lol she is luxury analyst as like luca etc investors and brands news outlets like forbes pay her for consulting

(Senior Marketing, Branding and Digital Executive in the Fashion, Luxury and Design industry
she has worked for the most prestigious global groups: LVMH, Richemont and Kering as well as independent brands such as Ferragamo, Prada, Tod’s and Roger Vivier)


ceo and headhunters manager etc follow her reports even on linkedin etc she is no ig influencer she writes her opinions and findings i find it interesting to share more info and points of view.

at least she bringing more insights that other outlets don't dare to express.
 
Francesca Bellettini on Gucci from Fashion Network

“With the change of creative director from Alessandro Michele to Sabato De Sarno, the goal for Gucci was to build a solid foundation, which would allow us to reduce excessive fluctuations,” Bellettini underlined. “Alessandro's style was extremely maximalist, while Sabato De Sarno's aesthetic approach is less extravagant and maximalist, but allowed us to do exactly what we intended to do.”

Susanna Nicoletti on linkedin response on above interview :

- So maybe they could have done without De Sarno - who also made a self-celebrating movie and lots of interviews - to go back to the roots the design studio was well enough instead of launching a massive "Ancora" activation and pumping the volume on a frivolous operation including funny show soundtracks
- To avoid fluctuations, in fact the brand spiraled down directly taking down the whole Kering group and, no going from Michele to De Sarno was not stabilization to avoid fluctuations, it was dangerous disruption not driven by a strong brand storytelling and brand direction. It did not convince any of the customers.
- So far no brand strategy highlighted and no business objectives presented, they only rely once again on the new creative director
- She talks in place of Gucci CEO, Stefano Cantino
- Regarding quality and heritage, please read the post I published this morning and the article of "Il Fatto Quotidiano". Who is right? Time will tell.

- "the basis on which we operate today is much more solid than that of 18 months or two years ago" ...2024 revenues and the fall of the profits of Kering at -62% vs PY? What 2024 results? We are more solid than ever

This interview is surprising and surprising and surprising
 
"Sabato's aesthetic allowed us to do exactly what we intended to do."

A never seen before depreciation of one of the top four luxury houses.

The lack of respect for the intelligence of the shareholders is shameless.
 
How about:

Hey guys!
We did a mistake.
Sorry.
Let's get drunk tonight.
And from tomorrow we will make 200% sure that this is going to work.
Promised.
 
Francesca Bellettini:

"Alessandro's style was extremely maximalist, while Sabato De Sarno's aesthetic approach is less extravagant and maximalist, but it allowed us to do exactly what we intended to do."

Sinking deeper? lol

"We have focused on the heritage of the brand, trying to elevate our products, making them consistent with Gucci's heritage, but at the same time relevant to the present. Without a doubt, the foundation on which we operate today is much more solid than it was 18 months or two years ago. Now is the perfect time to inject new creativity, fashion and desirability, because we believe that this is what Gucci needs to recreate that unique dualism that characterizes the brand, where tradition and fashion must always coexist".

this woman is delusional...pure bs

"over the last 18 months we have focused more on tradition, improving the quality of the products and launching new collections, even for the entry level, but always at the appropriate quality level. We are now in an excellent position to introduce more creativity and fashion-forwardness, while maintaining what we have built in the last 18 months".

No comments....hahaha
I had to read this few times because the level of bs here… this is someone who’s the top management in Kering right? Wow.
 
Francesca’s answers :lol: they can’t be real lmao. I guess she knows all she’s saying is FAKE NUUUUS (like Trump says). It’s crazy the lack of management, vision and intuition she has.

The thing is that Kering stocks are rising quite a lot since two or three days ago. 🤔 I sold mine hoping they would go down soon (like its been happening since Sept) and they keep rising. I guess they will drop soon again.

On another note, I don’t think it’s crazy for Hedi to go back to Gucci. Business is like that… sometimes.
 
the suits need to get out of the way or they too will be on the chopping block…what they need is a strong designer, a monomaniac, total dictator, single-minded vision. sounds like I’m endorsing a certain Austrian painter, but look, we all know it’s true. screw the bottom line for now, invest in the future, relaunch with quality, cater to the affluent youth, not the 1%-ter boomers. make it sleek, make it sexy, make it look like Hollywood, what the jet-set wear on Capri and St Tropez. bring back the velvet blazers. embroidered bombers. tight encrusted leathers.

there’s only one man for the job. His initials are H. S. They need him more than he needs them.

it would also be a major coup. I think directionally, LVMH is at a very weak point. pharell at LV, a guaranteed to be bland guy at Dior, Polo guy at Celine, and joke products at Loewe. this whole bland oversized trend will not last.

leave the elevation to real luxury brands like Cucinelli, LP, Hermes. many people should wear Gucci, even if it’s just a tee or a bag or loafers, and they want to be seen. have real products under 500, not just tiny accessories. that’s how you build a brand back.
 
the suits need to get out of the way or they too will be on the chopping block…what they need is a strong designer, a monomaniac, total dictator, single-minded vision. sounds like I’m endorsing a certain Austrian painter, but look, we all know it’s true. screw the bottom line for now, invest in the future, relaunch with quality, cater to the affluent youth, not the 1%-ter boomers. make it sleek, make it sexy, make it look like Hollywood, what the jet-set wear on Capri and St Tropez. bring back the velvet blazers. embroidered bombers. tight encrusted leathers.

there’s only one man for the job. His initials are H. S. They need him more than he needs them.

it would also be a major coup. I think directionally, LVMH is at a very weak point. pharell at LV, a guaranteed to be bland guy at Dior, Polo guy at Celine, and joke products at Loewe. this whole bland oversized trend will not last.

leave the elevation to real luxury brands like Cucinelli, LP, Hermes. many people should wear Gucci, even if it’s just a tee or a bag or loafers, and they want to be seen. have real products under 500, not just tiny accessories. that’s how you build a brand back.
Nailed it
 

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