Street_a_Licious
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- Joined
- Oct 21, 2003
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Ferragamo. it was elegant, sexy, chic, modern and if you ignore the 3/4 length on the pants, one of the very best collections shown in the past few weeks.


Gucci is over for me.

), or because the italian fashion week has become the land of hypocrites that deny their mediocre past by trying (hard) to put their models on classy outfits and big frou frou overdosed dresses (DG, Frida, Cavalli...
). There were however collections that i really liked. I thank prada for still doing her thing even if some say she just does it for the press attention, and it's weird for the sake of weird, or whatever... I loved jil sander's respectful approach to jil's work, and then the "second part" of ravishing volumes and hues... bottega veneta was good! i must say i didnt expect it. i guess the excesses on the other catwalks made BV even more valuable this season.
. and last but not least: yves saint laurent which had a "prada-effect" on me this season... you know when you are presented something and you dont see the appeal in it at all... and then all of a sudden it starts to make sense and you love it and you never get enough
that was YSL this season
. Givenchy I loved because there was just so much in the collection, wonderful tailoring, inspiring show pieces, the 40s, barbarism, darkness, lightness, glamour, masculinity, femininity...and almost all of it without the brooding student aspect of some of Tisci's earlier work at the house. As I said, Vuitton took the MJ collection's place as the most fun show of the season. I think it's because the take on the 80s here was different than what we'd seen, more feminine, more joyous, more silly, more pretty. He just took that and ran, mixing it with a cartoony sort of prettiness and a sort of trashy undercurrent that just made the whole thing really uplifting. And finally, Miu Miu. Some of the most beautiful and sensual coats and jackets I've ever seen. I don't even have many thoughts about the collection or what it was all about, I just loved the clothes and the whole look of what was shown. 
I found all the four cities just dripping in diversity and surprises, I cannot understand the disappointment or even the irritation towards 80s stuff, it might get all the exposure in the upcoming months but it was only a tiny fraction among all the creativity and inspiring creations that kept flowing in the past few weeks. The recession was certainly a major factor of the direction most creators took but it definitely made for an interesting ride to see all the positions on what seemed a debate of what should sell better: a timeless piece that captures the essence of a house or a piece that symbolizes a season to perfection. The latter was a bit of a sad spectacle for me as we had to see people that are capable of putting together an impeccably tasteful collection (Theyskens, Roksanda) succumbing to the cartoon-ish and dated vision of what fashion should be according to people like Donatella or Galliano or clowns like Marc Jacobs.
The first side was by far what made the entire season for me, seeing people like Angela Missoni, Christopher Bailey or Doo.ri Chung making what I consider to be their best, most explicit and unexpected effort to date, I definitely started seeing the upside of vulnerable times.
and then the Japanese and the Belgians, they rarely disappoint but I loved how they went back to some of their old tricks and did what they do best.. put fascinating collections that, now, more than ever, make you value the ability to remain a thinker and a creator without sacrificing your integrity.