apologies for raising this thread...
however I was going to mention 'FILOMENA SALTARELLI', but thankfully Scott beat me to it with all those pics!
Just had to comment on the extensive manipulation & variable use of the suit. Some incredibly audacious, intrinsic developments which i totally love! especially that 3 button touch, found randomly, yet so justifiably on particular pieces.
Picking up on what Lena mentioned...100% agree, there isn't enough tuition, bridging the gap between finding that balance, of creativity & wearability...seems to be a trend throughout most design schools...
However, you could certainly incorporate Filomena's work into developing a collection...the strongest graduate collection i've come across since Masahiro Yonetsu last year, at LCF...
however I was going to mention 'FILOMENA SALTARELLI', but thankfully Scott beat me to it with all those pics!
Just had to comment on the extensive manipulation & variable use of the suit. Some incredibly audacious, intrinsic developments which i totally love! especially that 3 button touch, found randomly, yet so justifiably on particular pieces.
Picking up on what Lena mentioned...100% agree, there isn't enough tuition, bridging the gap between finding that balance, of creativity & wearability...seems to be a trend throughout most design schools...
However, you could certainly incorporate Filomena's work into developing a collection...the strongest graduate collection i've come across since Masahiro Yonetsu last year, at LCF...