birdofparadise said:Criticism is certainly valid...but I feel that some of what's being thrown at Galliano...and at Ms. Arbus in particular, who is one of the most insightful and honest photographers ever, is more than slightly undeserved, very emotional, not learned. There are, obviously, various ways to interpret the show and his inspirations, which he didn't steal from all that much, if you're familiar with Arbus' work. To me, it's about a personal comfort, a familiarity with self, an assuredness that is usually absent from fashion, which serves to assimilate, to stifle insecurities through the masquing of luxury and false intellectualism.
birdofparadise said:It's their prescence that makes posters on this forum feel uncomfortable. It's almost as if some don't feel people who look like this should be on a catwalk because their beauty is thought to be...inaccessible (inferior). They don't look like you, they don't look like anything you'd want to look like and so they're inappropriate and should be handled with kid gloves and locked away and not photographed because treating them like you would any model at a fashion show is somehow condescending.
Spike413 said:I really don't think it's fair how people on here are saying how insensitive it is of John to have cast the show the way he did, or really any of the things he does for that matter. First off, no one really knows why he did it, so I think it's a little unfair to question his ethics. Out of all designers, John seems one of the least likely to mock and ridicule those less-than-parfect among us, at least in my eyes. Besides, had it been someone like Yohji, or Hedi, or Alber, or Rei.....people would be thrilled that they showed diversity on a catwalk. Someone even mentioned Gaultier, who essentially did the exact same thing as John just to less of an extreme, and yet he was applauded for it. So if Gaultier gets praise for using unique and diversified individuals in his shows, why should Galliano be the one to have his morals questioned?
Yes, seeing plus sized women, older men and little people on a runway is distrubing....but not because of how they look, but because of how it's percieved. Is it really any more fair to handle these people with kid gloves then to exploit them? Either way wouldn't it make them feel like something less than human.
In you really think about it, aren't models freaks too? They're taller then the average woman, skinnier as well, and they're always made up to look absolutely gorgeous. That's certainly not the "norm" in life. So in a small way, fashion was a freak show before, John just had the foresight to realize it.
...exactly how are the things shown in this collection NOT "actual clothes" ?! there are some absolutely gorgeous pieces!! biased anyone?tott said:I think the real difference between how JPG and Galliano uses "unusual" models is that JPG lets them model the actual clothes while Galliano uses them as props... Maybe I'm wrong, but that's the impression I get...

Spike413 said:^ I did, and my main point is you don't know why Galliano did this any more then I do or anyone else does. Unless he came out and said he wanted to show a circus side show with beautiful models walking next to midgets and fat women to portray them as freaks I don't think anyone has grounds to say that that's what he was doing.
Edit- do you know that for a fact? That Gaultier wasn't in fact using them as a show tactic?
birdofparadise said:In presenting her subjects the way she does, Arbus turns the camera on herself, on society in general. She presents her subjects through the veil of our discrimination, whether it's the mentally handicapped or the wealthy, or p*rn or interracial couplings, all things that she touches on in her work. She adopts the language, she says, 'this is a freak' and you look at it and disagree because its so confrontational. But she peels back those cowardly affirmations and gets to the fear that's behind people wanting to marginalize anything that is considered to be 'different'. I certainly understand concerns about using such work as inspiration but it goes far, far deeper than just putting the handicapped and their vulnerabilities up for grabs. Galliano is not the first to use Arbus, didn't Dirk Van Saene (excuse the spelling) do something to that effect as well? (Belgian Fashion Design edited by Luc Derycke, Sandra Van De Veire)
eugeniaaaaaaaaaaaaaaaa??????????, juliaaaaaaaaaaaaaaaaa????????????, tiiuuuuuuuuuuuuuuuuuuuu????????? where are you????????????
I'm really not a fan of the presentation either. It's like he's mocking them instead of embracing them...
I completely agreeSpike413 said:Out of all designers, John seems one of the least likely to mock and ridicule those less-than-parfect among us, at least in my eyes.
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edit- The show really doesn't have a freak show/carnival theme. Yes, it's referencing an era where it was common, but a cabaret where freaks are admired and a circus where they are ridiculed are two different things.

I don't know how he makes money out of his clothes..I really dont....someone explain