Jungla_Juana
technicolor tweed
- Joined
- Apr 10, 2007
- Messages
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They're most likely Noritaka Tatehana...
well, yes! i was looking for a rebuttal. haha. there's no fun in making a grand argument, without someone coming back with a counter.
so, Toccata -- i can definitely respect your list of icons. these are all legendary women of music. it seems to me as though you value women who achieve a sort of "first" status. who, as you say, change the way things are thereafter. but yet your list stops far before anyone contemporary. there have been plenty of female artists in the past 25 years who have paved a new trail.
i can understand how Gaga can be interpreted as simply a "culmination of shock-pop" -- but it's just not entirely true. she is something new, in a way. name me another artist in the history of popular music who possessed all of these traits: 1) such an intensely personal relationship with her fans. 2) complete devotion to her over-the-top living performance art. 3) genuinely talented vocalist, pianist, and songwriter. and all of this COMBINED with 4) being THE biggest solo act on the planet at a particular time.
there have been many many women who have possessed some or a few of these traits, but who else has them all.
also - i dispute your definition of an artist as well.
"An artist does not reinvent themself;
they reinvent art because of being themself.
They affirm and share the world as they see it."
i agree with the final sentence -- but the first two are so limiting to an artist. it implies that in order for someone to be considered an artist, they have to remain static. they cannot change. would you not agree that, in changing themselves, their art can also be reinvented?
Hey Happycanadian! I'm sorry I don't have time to debate all your points,
but I'll address the most important ones central to the argument - Should
Lady Gaga be considered as a Revolutionary Artist and deified as an Icon.
I would argue that to be new, you have to be first but not the other way
around. Whitney Houston was first for MTV, but she wasn't new.
When you say Lady Gaga is new, her newness is based on being
a combination of the unconventionality of others - an industry parlour trick.
When people think of Gaga, do they think craftsmanship or spectacle?
Is Gaga's work judged for its artistic achievement or entertainment value?
I can't argue with your criteria because it furthers my point that she is
known for being a combination of what is popular in others more than
an artist as individual. Instead we have cliche's, stunts, and interpretations.
Her career depends on our amusement - but what is amusing at first, is
boring the second time around. She can't wear the meat dress again or be
carried around in another egg. Gimmicks like these have incredibly short life
spans, soon they'll start to bore us and much like Marilyn Manson nowadays,
Lady Gaga will not outlast her novelty.
I'll give you final word and we'll agree to disagree.
Is that Anne V?!