SERIOUSLY.
1. It's the same problem as last season. It's all fantastic and grand and whatever, but it's totally and completely irrelevant. To fashion and to modern women and like, society writ large. He's so much more interesting when he's able to filter his romantic tendencies and superb tailoring into something that's quite 'street' like the first sequence of his Spring 2003 show.
2. If this is someone's ideal version of women then we are in sooooo much trouble. His work, and the work of other 'fantasy' designers (Galliano, et al) present nothing more than this complete farce and mocking 'vision' of womanhood. It's absurd and degrading and this notion that's been bandied about for decades that men are somehow better equipped to design for women because they don't concern themselves with petty details like practicality or reality (totes boring!) is absolutely ridiculous. I'm all for new ideas and exaggeration to drive home a point and etc. But....no, if you were a women you would NOT wear this. If you were a drag queen, maybe. But drag is taking performative woman-ness to an illogical extreme in an effort to (one would hope) point out gendered codes as just that. Performance. However in most cases it's just cruel and offensive mocking for cheap laughs. So what does it mean when a male designer presents this as an option for living breathing women for their lives? Or presents this as an ideal image of modern women? Seriously, gay men have so much to answer for.
3. It's just ugly. Plain and simple. It's unattractive.
4. I do like the black velvet dress with gold sequin 'hair' embroidery. But it's totals Schiaparelli. He's done seam for seam rip-offs of her work before, along with Vionnet, so...ugh. Biting the work of two of the most prolific female designers ever just adds another layer of offensiveness.
5. The styling with those ugly bags is terribly awkward and desperate.