i'm on a mission to see most of these movies by the time the oscars airs. Precious and Bright Star are up next...
imo, Paul S.'s performance in it is the only one that actually competes with Chris Waltz's one this year. 
not that it is a bad movie....but c'mon. latin america has great cinema as well.
typical period piece cinema here imo. the only standouts were Abbie in the second half (as soon as she starts to fall really in love...) + the cinematography which was stunning imo.
can't figure out why it wasn't nominated for cinematography or art direction.
Paul S. didn't impress you? 

it will be hard to El Secreto de Sus Ojos (The Secret in Their Eyes) from Argentina. that movie is so well done. and the ending....!
but knowing the academy they will probably give it to The White Ribbon from Germanynot that it is a bad movie....but c'mon. latin america has great cinema as well.



so, meh for BS?Paul S. didn't impress you?
oh, i liked the messenger, it isn't all that groundbreaking but it def took the war subject from another perspective, and Foster is absolutely amazing in it, Morton too.
i just now remembered who was also robbed for lead actress - Charlotte G. in Antichrist, although Trier was never Academy's sweetheart, but she was absolutely terrific in it.![]()
i really wanted to love it, i did....but it didn't capture me. i must admit though that period pieces have never been my thing, though i kept trying to love it because i do love Abbie. Paul S. was good but i can't say anything about his performance stayed with me..
there's just a bit more to it imo.
... i've heard it's brutal.. no?
Each of those movies also boasts an Oscar narrative: Kathryn Bigelow could be the first woman to win the Best Director Oscar, giving The Hurt Locker The Chance to Make History, while Avatar gets to be The Big Gamble That Paid Off as well as, of course, The Popular Favorite.
There’s always one actor who the industry wants representing it—not necessarily the highest grosser or the hottest star, but the most natural leader, the guy who figures out what Hollywood should be doing. For fifteen years, that’s been Tom Hanks. This year, the mantle may have been passed. He’s probably not going to win next month, but in the last couple of weeks, osmotically but unmistakably, George Clooney has been elected the industry’s new class president.
And then James Cameron goes too far. He does the one thing no winner should ever do: He disses Meryl Streep.
“It’s almost like Asperger’s with him,” a producer tells me later. “How many years has it taken him to live down ‘I’m the King of the World!’? When he shifts into that mode of talking about how great his movies are and how other people just don’t get it, he is literally incapable of understanding how he sounds. And I say that as a fan! He makes it incredibly hard to vote for him."
One week later, she [Bigelow] does it again, beating Cameron for the Directors Guild of America Award. By all reports, the room, and even her competitors, approved. And it’s easy to imagine what many of them were thinking: It’s her turn. It’s time.
Can't agree with you there. I haven't seen El Secreto de Sus Ojos, but if there was ever a movie deserving to win Best Foreign Film it's The White Ribbon. That movie was BRILLIANT. I'd nominate it for Best Picture if I were in charge.
But I agree with you that Latin America has great cinema. City of God is one of my favorite films of the decade.
the last time a latin film won was in 85. it would seem as it is always a European film taking the honors. we were robbed in 2000 and 2001. Crouching tiger, seriously? and No Man's Land wasn't even half as good as El hijo de la Novia. but i want to see Ajami before i make up my mind. (like it matters) of course we could be in for a shock. Tsotsi taking the honors in 2005. Paradise Now should have been a no brainer.
I'm afraid i think it is 'meh' for BS..i really wanted to love it, i did....but it didn't capture me. i must admit though that period pieces have never been my thing, though i kept trying to love it because i do love Abbie. Paul S. was good but i can't say anything about his performance stayed with me..
Saw the messenger last night. good film, i agree it was a refreshing take on the military/war theme which is never my favourite either. both ben foster and woody h. were fantastic....two really good performances imo. overall not groundbreaking though, i agree. but if i had to choose between it or bright star to recommend to someone i think i'd go with the messenger.there's just a bit more to it imo.
i wish crazy heart was playing closer to me.. i really want to see it and keep meaning to but the cinema is so far away !
as for antichrist, i wanted to see it but i don't think i have the guts... i've heard it's brutal.. no?
the interlude to the movie is most artistically and captivating sequence i've EVER seen in a movie, it's beyond words to describe how fantastic it is for me, just perfection. 
i agree with a previous comment that the film itself, stylistically i suppose, is not the greatest piece of work.... i found it a bit gimmicky even.. not sure how to explain it. but the performances by almost everyone involved...truly amazing..
Mo'Nique was exceptional - if she doesn't win, i don't know who should.... she gave a truly astounding performance. Gabourey sidibe, mariah carey + paula patton were all incredible as well.