bc collector
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Who is demanding a Western way of life as the supreme end all???
There would be so much to say on this, I would't even know where to start from.
One thing is crucial to stress: without women liberation (and urban culture) there would be no fashion as such. Fashion does not just equal clothes, it is so much more than that on a symbolic level. I personally find it very puzzling that today wearing a hijab or a veil is considered the ultimate fashion statement (see the appointment of Vogue Scandinavia's EIC), it looks as if decades of work by the likes of Vionnet, Chanel, Quant, Westwood, Kawakubo, Prada (to quote just the pre-eminent females in the field) are going down the drain in the turn of a week. You cannot imagine what I would give to hear Mlle Coco's opinion on this matter, I can almost see her glowing in rage from the grave.
Let's cut to the chase: I will buy this "wearing a hijab is soo very woke" argument when I will hear of someone who has been fined or legally constricted to NOT wear a hijab in a democratic country, western or not. OR, conversely, when women in most Muslim countries will be free to wear miniskirts or show their hair as they please, without incurring in any social or legal trouble.
Fashion without freedom is nothing. And until this freedom will be granted to all women in all countries I will send the message back to the receivers.
Secondly, traditional ethnic clothes can be of interest for anthropologists, sociologists or such, but hardly constitute fashion fare. Again, take a look at the Japanese: they were not so lazy to slap a kimono on the covers of fashion magazines, they took techniques and shapes of traditional dressing, transformed them and made them desirable to wear for women (and men) all over the world. But I guess that's too much work and effort to ask of today's standard.
One last thing on Edward Enninful. I really do not know why this guy became so powerful and so quickly. I can think of dozens of stylists who were as qualified or more to do cover the post of EIC at Vogue UK. It might to have been a very truthful portrayal, but segment in The September Issue kind of made him look somewhat lacking in personality. It's not that I want to deny the guy has talent but I can't escape the feeling that he's deliberately cashing in on his blackness, gayness and any other -ness and that his strategy is uniquely that of riding the zeitgeist and please the woke tribe, but there is no real aesthetic research or advancement in his work. This cover is the symbol of what I mean.
Someone in the previous posts quoted the infamous Makeover Madness cover by Sozzani: for those who did not get it, it was a satyrical visual comment against something that many among her Vogue readers considered to be a common practice, she was kind of making fun of them.
Would Mr Enninful have the courage to do the same with his followers? Let me doubt it....