US Vogue December 2014 : Amy Adams by Annie Leibovitz | Page 8 | the Fashion Spot
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US Vogue December 2014 : Amy Adams by Annie Leibovitz

Wait... WHAT!?! You're serious? I feel like I've been looking at the same issue of Vogue for the last 5 years.

Try Ten years. I was just looking at the September 2004 issue and she's in at least three separate edits.
 
Caroline Trentini not jumping for US Vogue would be like eating toast without butter. The magazine wouldn't be the same!

Ugh, I still haven't gotten around to picking up a copy of the November issue. Funnily enough it's Natalia Vodianova's story which sells this whole issue for me. But the editorial is far too short which is a shame. I love those portraits of Julia Bergshoeff by David Sims. I'm also into Kendall Jenner's feature just because I'm a huge fan of Patrick Demarchelier's studio shootings. To be honest as much as we debate Kendall's modeling abilities, there's no denying her presence is like a breath of fresh air for the issue because basically everything else is the same old.
 
This is probably a detail and I do love Weber's ed but I can't help but roll my eyes at the shot in which Charlie is supposedly painting Caroline. What's the point of having him "paint" her if the painting is completely different in every way?

I'm sorry, I just had to say it. :lol:
 
Great than Amy is the cover girl, but i don't like it. Her story with Button look like than campaign of Disney, also shot by Leibovitz, would be better choose Tim Walker, because he & Buttom made wonders.

TOO MUCH CAROLINE TRENTINI!!!! I mean, i don't hate her, but she is every issue of the mag & it's too enough, i guess Carol is still one of the Anna's favorite girls. I don't know if soon, Miss Trentini will get her solo cover.
 
Paint It Wild
Photographer:
Bruce Weber
Stylist: Camilla Nickerson
Models: Caroline Trentini, Anna Ewers & Charlie Hunnam
Make-Up: Aaron de Mey
Hair: Odile Gilbert

HQs without text


photocouture-show.com
 
Why the photoshop though? Were they on a budget?? I remember how beautiful the hansel and gretel and Alice in Wonderland stories were precisely because they seemed like they were shot on actual sets. The kind of no-expense-spared story that one associates with US Vogue only.

Agree, at least I used to see magic in those eds, now just photoshop.
 
Got my copy yesterday and Anna's tribute to Oscar de la Renta is so touching, I was almost brought to tears towards the end.
 

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