The main editorial with Laura is pretty good, and Meisel does so much for Vogue Italia in terms of editorial work, it is hard to criticize because he manages to pull off so many different styles so well.
But, as others have mentioned, it is very much in the style of Roversi, and then with elements of Tim Walker, who can do this kind of 'surreal' story with his eyes closed. Also, Richard Burbridge lends his own eccentric style to the mag now and again. So, although it's good enough, I don't see anything special, and I'm still on the fence with Laura......for now.