When I heard that Anna Dello Russo was in New York, I promptly emailed her staff about possibly setting up a phone interview. (I couldn’t stop myself. She’s amazing, right?) When I didn’t hear from anyone after a day or two, I figured Anna must be too busy to respond to emails from pesky bloggers. So, you can imagine my response when I received an email from Anna personally: I was ecstatic. Why would she waste her time on an anonymous little fashion blogger like me? Regardless, I was thrilled, and began finishing my questions for her immediately.
What to ask an icon like Anna Dello Russo? What NOT to ask?! I wanted to start somewhere new. No one wants to be that writer that asks every grilling, stereotypical question. So I started with something simple.
Hello Anna! It is great to finally speak with you! Thanks for the opportunity. How are you enjoying New York?
New York, I always enjoy! New York is lovely, but now I must go to Rome. How are you, Dale?
I am great! What are you wearing today, Anna?
Oh, I can’t even tell you! It’s Abercrombie because I am flying. I am travelling to Rome, so today I am wearing my Abercrombie fleece! It is nothing glamorous.
You are loyal to your Abercrombie fleece! Well, I would like to start our interview by asking a basic question that I have always wondered about you: What do you love most about your job?
I love that it keeps me young. I am always moving, looking at beautiful things. My job, it keeps my eyes fresh.
I read in an interview with you about your collection of couture. . .It is fascinating! You have always loved the commodity of fashion
Yes, since I am a child I have loved fashion. But loving fashion, it is a job: I am always have to keep my clothes at the right temperature, transportation and care. I am always looking for the pieces which will matter most in history. . .which are most important to my collection.
Azzedine Alaia recently stated, “Designer fashion is different now. You can no longer be excited or surprised. Rarely is there any freshness.” Do you agree with Mr. Alaia that the current fashion system has changed?
There are so many people to please. Because otherwise, people will lose their jobs. You know, if they don’t spend the time…He would always create at the right time, whenever he wants to. He used to be like that, always in the past. He’s really working on the doll, the mannequin, to create the clothes. I didn’t see so many drawings, I saw how he was working. I saw the couture. He will take the clothes, the fabric and start to build on the mannequin. It was really incredible.
Many designers today don’t work like Alaia does.
No, no, absolutely not.
Today, it seems the editors and fashion directors of the front row are just as famous as the supermodels stomping alongside it. Why do you think fashion’s followers have shifted their attention to you and your colleagues?
I have said so many times that for twenty years I was invisible. Me, and all the people working behind the camera were just invisible. But what happened at one point, the camera turned and pointed to us. Lucky, we were ready. Because eighteen or twenty years ago, I wasn’t ready. Because it was a superstar, or top model. . .a supermodel, because it was the era of the supermodel. I was so intimidated by Linda [Evangelista], Christy [Turlington], Naomi [Campbell], you know. It was the year of the super designer, like Gianni Versace, like Thierry Mugler. All these incredible, grand names! You know, I was feeling like a mouse, you know, in front of these big brands. Also, photographers used to be Avedon. . .I was just housekeeping of the set. I was there working. I was feeling at all like Cinderella, you know. Cinderella, Cinderella! I was working like crazy, but nobody knows me! Because it was just a big, huge era of the top model. Everybody was top: Top model, top photographer. I was so intimidated. I remember the first time I was working with Christy Turlington, I was so intimidated, I didn’t want to even touch her! I wanted to say, ‘Oh my gosh, she is so amazing!’ because it was another era. Now, after twenty years or whatever, it feels more democratic. It feels more of a revenge for all of the people that were working on the system. . .like a Cinderella! I think I’m like Cinderella. You know, I think it’s my time now. Maybe we’ll finish at night, but now it’s my time.
If you could share one piece of advice with young fashion bloggers, what would it be?
If I could share one thing? I share my love!! Because I love new blogs. But now, Dale, I must go because I must go to my Gate!
Anna, it was wonderful speaking with you! Please tell Cucciolina I said hello! Thank you so much.
Thank you so much, Dale! Ciao, ciao!
"dearest Dale,
i loved this interview,
you made such a great job also because of my thick pugliese accent...
You should keep like that to become a good journalist."
Anna