Literally about to post the same thing. I don't mean to sound too harsh but I would never have worn anything Cortazar did for Ungaro ever. Ever.
but aren't you a guy?
Literally about to post the same thing. I don't mean to sound too harsh but I would never have worn anything Cortazar did for Ungaro ever. Ever.
This dress looks EXACTLY like something ive seen before but i cant remembre where
catwalking via Jungla_Juana
TBH, i quite like it
There are some beautiful, albeit irrelevant, cocktail dresses in the bunch - mainly the drapey, relaxed, more subdued pieces. Besides that, there really isn't much else going on here. It's everything we've been seeing for the last few seasons: bodycon, lots of skin, harem pants, BOLD colors, the typical ideals of 'sexiness', etc. As boring as it is, I feel that a lot of trendy rich girls will eat it up, bulk style.
In regards to Lindsay Lohan's involvement, she will never satisfy the public. She will only ever satiate many ppl's sick desire to see her crash and burn. Not to say she is deserving or well suited for the title (SHE IS NOT), but why not judge the works objectively rather than subjectively? I also think the ppl over @ Ungaro are terrible for exploiting Lohan's chaotic, disturbed life in hopes of garnering infamy and publicity. It's definitely working but in no way is it helping the addiction-addled Lohan. She is probably too sauced and deluded to even realize how terribly sad this whole mess is.
justjaredWhen asked how she collaborated with Estrella, Lohan explained, “We both kind of mixed our (ideas) together, and that’s why it came out so well. I really appreciate everything that goes into, like, any article of clothing. I think it’s fantastic and I think it’s so expressive in so many ways.”
Ungaro: Mode as Media Maelstrom
by Godfrey Deeny
October 04th, 2009 @ 00:54 AM - Paris Talk about fashion pandemonium. There was a veritable human maelstrom backstage after the latest runway show of Ungaro in Paris on Sunday, Oct. 4, as camera crews pushed and shoved and begged for an interview with the house’s new celebrity creative director Lindsay Lohan, making her debut as a designer.
Lohan took her bow, fighting back tears, hand in hand with her joint creative director Estrella Archs of Spain, pausing at the head of the catwalk as the crowd of some 250 photographers snapped the movie star, dressed in a skimpy one-shoulder white crepe cocktail dress.
“Fashion debuts are so much more fun than red carpet premieres,” said Lohan in her private backstage area, as she instructed her hair and makeup team to “quickly comb my hair. It looks disgusting.”
Though fashion critics, editors and stylists put celebrities on their magazine covers and pen features about their tastes, the industry has remained highly suspicious of their attempts to reinvent themselves as designers. So, the weight of expectations were against the new duo as the lights dimmed in the Carrousel du Louvre and the first looks in the Spring 2010 collection hit the pink trimmed white catwalk.
First of all the good news: Archs clearly knows how to cut a cocktail dress, and she and Lohan did get the color scheme right – deep purples, hot pinks and silvery whites. Plus, there was an easy-to-understand feeling to a lot of the looks, twisted and ruched cocktail dresses that had a movie star quotient and a French quality. And the choice of Art Deco heeled shoes all looked like potential hits.
“It’s about a woman being in love with herself," said Archs. "It's about being self-confident and feeling good about being beautiful,”
However, this collection never really soared. While it had enough of the house’s signatures, it felt more like a diffusion line than a major signature collection. Going young is one thing, but somewhat lacking in ambition is another. And, where the house was famed for its kaleidoscope of colors and tie-dyed fantasies, this was too retrained with its preference for scratchy, scrawled prints.
Moreover, too many of the styling tricks did not come off. Covering the chest with sequined hearts is one thing, but placing the same thing on a half dozen heads was naff. And on three occasions straps fell off shoulders, or breasts suddenly swung out from tuxedo jackets, which was a little unlucky, but did not look very professional.
However, since the departure of Giambattista Valli, the acclaimed first successor of founder Emanuel Ungaro, the house’s three intervening designers, Vincent Darre, Peter Dundas and Esteban Cortazar, all had less than stellar debuts. So, while not exactly a home run, Lohan and Archs did get the collection to first base, defying the odds.
http://www.fashionwiredaily.com/first_word/fashion/article.weml?id=2855
Mikeijames, I do not think you can compare that collection to this considering the difference in years. It is impossible to know what Ungaro himself would be designing today and you have to realise that was the look of that time.

it pains me to admit that i like what i see so far
i dont like to admit liking anything that has lohans name attached to it
... loved the Kitson comparison. that sums it up.![]()
Me too. I feel really bad for Estrella Archs I honestly want to see her design a collection for Ungaro by herself with anyone's consultation and see what happens from there, this collection was sad I mean......just sad 
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