US Vogue September 2007 : Sienna Miller by Mario Testino

Pat, Inc.
Styled by Edward Enninful
Photographed by Norman Jean Roy
Special 2 Pages Styled by Phyllis Posnick
All Other Photographs by Steven Meisel





image source | scanned by MMA



 
thanks for the Pat, Inc. article, she's amazing !
 
that looks amazing :woot:

And thanks for the count berlinrocks...now lets see which house has the most advertising pages in the magazine :innocent:
 
i just bought it- can't wait to see all the new ads...
 
Could anyone tell me if this issue is out in Canada yet? I went to several stores yesterday while I was doing errands and no one seems to have :(
 
What part of Canada are you in? I know that when I'm in Ottawa, I can usually find the issue within a few days of it coming out in the States, but in Calgary, it takes at least a week, sometimes a week and a half.
 
Oh ok, thanks. I am in Eastern Canada, so I guess Ill have to wait a bit. Thank you :flower:
 
And thanks for the count berlinrocks...now lets see which house has the most advertising pages in the magazine :innocent:

Calvin Klein w/8 pages
Juicy Couture w/8 pages
Simply Vera for Kohl's w/8 pages
Bottega Veneta w/6
Guess w/6
etc etc...
The Gap w/10 pages:lol:
Nordstrom has 16 pages illustrated by Ruben Toledo:heart:

I counted around 640-ish ad pages (including inside front fold out & inside back & back cover)...there are definitely NOT 727:angry::innocent::lol:

:flower:
 
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nytimes.com
Cathy Horyn's Blogpost August 16th

Big Mama: The New Vogue

The September Vogue landed on my desk, or rather, on the floor. It came in a freight box. It’s very fat: 840 pages. Sienna Miller is on the cover of this super-duper issue, photographed by Mario Testino in Rome during the Valentino festivities. Though I can’t comprehend her appeal, apart from an American pixy-sportiness, she looks great in the clothes, mostly feathered things. My favorite fashion piece is Grace Coddington’s revisit with Kiki de Montparnasse and French café society in the ’20s and ’30s, photographed by Meisel. The clothes are right this season for a Jazz Age revue, especially Galliano’s and Chanel’s. (And perfect timing for “Making It New: The Art and Style of Sara and Gerald Murphy,” a great collection of essays and photographs of the period from University of California Press.)

Sarah Mower’s profile of the makeup artist Pat McGrath was informative and fun (“How do you accurately encompass a phenomenon as vast, protean, fast-moving, subtle and super-talented as Ms. Pat McGrath?”) And Carolyn Burke’s article about the friendship between Jacques Henri Lartigue and Richard Avedon was a surprise.

Marc Jacobs, Louis Vuitton (more Marc), Prada and Proenza Schouler get lots of credits, with some as well to Rodarte, Thakoon and, of course, Balenciaga. But a criticism of the book is a dearth of the offbeat and young. Where is Undercover, or Rick Owens, who had such a sophisticated fall collection, or the new London designers? Did I overlook Jil Sander? The looks shown in the issue convey a sense of authority and judgment, but the labels have a duty roster feel. Maybe the work of the other designers will be more represented in the next issue.

September Vogue is as much about the ads as the editorial. Gucci’s red lipstick and Veronica Lake hair, put with fur and gold chastity-size belt buckles, made me think of property rights. I liked Saint Laurent’s ads—more subtle and contemporary than last season, and with a slight nod (I felt) to the early YSL ads by David Seidner. Prada is all socks and bushy things. Calvin Klein’s ads really show you the clothes without being banal. Vera Wang’s snowy Russian campaign just raises a “Wha?” Brooks Brothers took out a 24-page portfolio that announced, on every page, that it was established in 1818. It’s about time Brooks recognized its prime mystery — I know that’s what its new owners have been working toward. I liked the fact that the ads sound authoritative. However, the models manage to look merely pompous, especially the guys (big problem), and inspire disbelief. They look more self-involved than glamorous and successful, and obviously have no real connection to the child in the pictures. Just bad casting. The portfolio also includes Thom Browne’s Black Fleece line for Brooks.
 
Calvin Klein w/8 pages
Juicy Couture w/8 pages
Simply Vera for Kohl's w/8 pages
Bottega Veneta w/6
Guess w/6
etc etc...
The Gap w/10 pages:lol:
Nordstrom has 16 pages illustrated by Ruben Toledo:heart:

I counted around 640-ish ad pages (including inside front fold out & inside back & back cover)...there are definitely NOT 727:angry::innocent::lol:

:flower:

Edit: Brooks Brothers 24 pages...Thank You Ms. Horyn:innocent::lol::heart::flower:
 
Calvin Klein w/8 pages
Juicy Couture w/8 pages
Simply Vera for Kohl's w/8 pages
Bottega Veneta w/6
Guess w/6
etc etc...
The Gap w/10 pages:lol:
Nordstrom has 16 pages illustrated by Ruben Toledo:heart:

I counted around 640-ish ad pages (including inside front fold out & inside back & back cover)...there are definitely NOT 727:angry::innocent::lol:

:flower:

you're so nutsss....:lol::flower::heart:
oh and thanx for Cathy's review... she pretty thinks the same than us, non???
Cathy, do you come there?
 
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BerlinRocks and MissMagAddict thank you for taking the time to find out that information, it's interesting to see the most commonly used designers. I mean, how much Prada? The collection was downright ugly.
 
Gucci’s red lipstick and Veronica Lake hair, put with fur and gold chastity-size belt buckles, made me think of property rights.


And this is why Cathy Horyn is one of my life heroes. So. True.

The more I look at the cover the more I dislike it. Sienna is such a naturally pretty girl she doesn't need much yet they've bogged her down with heavy makeup and harsh brows that just don't work. I love the Hilary Rhoda / Georgia Frost thick brow look too but it just doesn't work for everyone. Plus the bright red lips and the harsh hair - it just doesn't gel for me. Shame since Testino is such a great photographer.

I wish they had used either of the Pat Inc. Images for the cover. Those are stunning but since US Vogue doesn't divert from the formula there really is no way either of those could have been.

I'm just going to pretend that those were on the cover instead. One Coco and one Caroline. Now THAT would have been a September treat.

Does this Daria edit mark the first time I&V have done work for US Vogue?
 
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^ there was a feature with doutzen & raquel in may issue shot by I&V... maybe there's more?
 

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