^That seems to happen so often in fashion. I'm kind of in the same frame of mind about this. I mean, it was still my favorite collection (which isn't saying much as most of them were a disappointment) but in the week since it was shown the thrill has worn off.
I also think it's to do with how the show progressed. That opening look did exactly what an opening look should do, it causes that little jolt of excitement and energy. Then it progresses through that black, white and grey passage that even though it's nothing new is very gorgeous. But then it goes into the pastel dance dresses and loses quite a bit of steam. They aren't new, nor are they exceptionally beautiful. The gowns are sort of the same; beautiful, feminine, truly couture looking but ultimately predictable (with the exception of the last black gown with the fins
)
I feel like the collection weakens as it progresses instead of keeping the momentum, or better yet, building upon it.
I was also thinking about Dior lately in relation to how it was when John first started. It was very much a recipe, taking silhouettes and inspirations from the past and reworking them with such finesse that it made contemporary women want to wear a corset. Very decadent and seductive, over the top glamour taking a lot of inspiration from history's most beautiful and extravagant people. Then it came to a point with the f/w 98 HC collection when people had had enough and realized that nothing truly new was going on. Fast forward to 1999/2000 when John showed the Matrix and tramps collections with their raw madness and creativity, lots of energy and controversy. That era was all very contemporary, taking a lot of inspiration from the street and you'll notice that those couture collections contained many more separates than ballgowns. Then about 02/03 his shows changed again and became these monolithic mega shows with huge clothes, hair, makeup, shoes, theatrics, hats....think of the Egyptian and Chinese collections especially. Those shows were very much about new ideas and pushing fashion forward. And then in 2005 with the 100th anniversary collection you can see where he'd go next, back into the Dior archives. I'd say since s/s 07 HC that's where he's stayed, very "couture", very much about Dior of the past. Matching shoes, makeup, bags, gloves, nails....
Even the few not so historic collections that punctuate the memorable stuff seem to be part of the pattern. S/S 99, S/S 05, and F/W 06 weren't his most creative, nor his most drop dead gorgeous collections, but they served as place holders until he made the next step.
So really, this recent obsession with the history of Dior could just be looked at as another chapter that John's writing. Hopefully the chapter will end soon.