While I greatly appreciate Simons' emphasis on strong, wearable, modern tailoring, which is very much in the tradition of Dior (his tailoring and suiting was just as well known as his dresses) and which he did beautifully, I found the rest of the collection lacking the same sense of resolution, it felt more like undeveloped sketches.
The dresses swayed between rather obvious Dior-isms, the kind anyone with a rudimentary understanding of fashion history could muster, and some questionable though at times novel couture experiments: playing with shape, color, line, etc. but more often than not it came off as awkward instead of elegant, more garish than glamourous. I don't mind that there were several disjointed theses on modern couture dressmaking being presented, what I mind is that none of them were compelling. Not much had been done here that other designers hadn't already investigated whether it's Nicholas Ghesquire or Miuccia Prada, or even Raf's own couture triology at Jil Sander. This just did not add anything new to the discussion.
And as far as Dior's own discussion goes; the constant dialogue that exists between its current incarnation and it's past legacy, I find, in this instance, it to be as flat as a Gayttens, perhaps worse in that Gaytten at least kept things at an equilibrium, this may have thrown it over the edge.
An interesting collection due to its circumstances, and not without a good idea here and there, but if Raf Simon's hype was not attached I doubt so many of you would be so enamoured.