Live Streaming... The F/W 2025.26 Fashion Shows
Asia, India and the Middle East. These are the largest areas for luxury good growth . Brands like Louis Vuitton and Chanel carry lots of weight in Asia. The Gucci si aesthetic was only working with westerners.
That quote from Gia's post holds true. Why do you think there are so many asian themes lately? Fact is, these brands cater to their jet set, loyal clientel, but are always seeking out the nouveau riche. Whether that be asian markets, pop stars, athletes, or whatever. They're not marketing to the other 98% of the worlds population, where the closest you'll get to Gucci is fake sunglasses on Canal St, or maybe that one item you're saving up for.
It's simply not correct to believe that the majority of luxury goods shoppers are in fact devoted fashion followers... most of them, WHATEVER their origin, are shopping for leather goods, accessories and maybe shoes... that's what the reality is like. I bet some of these people don't even know if it's indeed Marc Jacobs, Tom Ford or whoever else is designing for the houses they are buying their designer merchandise from... Then you may have a couple contemporary brands that people turn towards for maybe a pair of designer denim and the inevitable knits and jerseys... that's what the reality is like on the street, only very few of these big houses actually turn their profit with RTW... that's a given, and it's undeniable when you look into the figures that conglomerates like LVMH or Gucci group or any other big company is issueing.
seems the david lynch ad that played before the show (and that is now up on the site) is more gucci than frida. that spark, that tension, that ability to use luxury to disquiet is what she needs to harness. 'mucho mistrust...'
i made a song line going out to gucci, the disappointment.
*melody of amy winehouse rehab*
they try to make me wear some gucci
and i say NO, NO, NO
I wish he would do his own women's collection. I think it's going to happen eventually but I want it now.
What irked most about the spring Gucci collection from Frida Giannini was not the relentless parade of broken-down Marimekko prints, or the ’50s jukebox skirts, or the finale schmaltz of “Strangers in the Night” pouring over dresses that could have begun life as an XL bed sheet. Rather, it was the lack of cultural awareness.
Other collections could get away with gleaning the top notes of a supermarket tabloid and spitting them back to us — Dsquared, for instance. Dsquared, the label of Dean and Dan Caten, is a knucklehead version of Dolce & Gabbana. But they’re O.K. with that; we’re O.K. with that.
But Gucci? Gucci has become such a monster business that you wonder if anyone asks, much less demands, that it show more curiosity, more surprise, more refinement in its runway collections than a Frankie and Johnny scenario. Ms. Giannini may not want to give Gucci a mean, sexy edge; that’s fine. But, apart from films and popular music, what does interest and inspire her as a designer? You can’t tell from her runway, and increasingly it’s making the view of the brand seem narrow and formulaic.
I will defend Tom to my death. People need to get off the whole "oversexed" kick. Sex was simply the context given to his clothes. Through styling and advertising, sex became the Gucci image. However, in a vacuum, stripped of the context of the Gucci lifestyle, his clothes were thoughtfully designed, detailed and flattering to no end. While Frida designs a simple dress and guzzies it up with prints or pretty color, or a wide belt, Tom created standalone dazzling garments. The detail on a Tom Ford for Gucci garment was incredible, not to mention authentically Tom Ford. He had a very signature look that he applied to tackle a number of different themes. He always worked in similiar color families, had very precise architectural ideas and a very glamorous, but dark feel of nostalgia. All of this defined his entire career.