UK Vogue January 2025 : Angelina Kendall by Mikael Jansson

Ok and? It's like calling someone American, Australian, Canadian, etc. it doesn't specify if they're white or non-white or indigenous or whatever. I mean, Brazilians can be white-as-hell. Is she Maori on her father's side? Is that what makes her non-white?
Sorry if that was confusing I meant it as in I think that she’s white. I edited my post before you responded and my reply made no sense now
 
Angelina is harder to light than some of her peers, her face isn't sharp enough for harsh lighting around the cheek to mouth area, but a half light makes her features more fluid and feline as Mikael does here. Studio portion of the shoot is nice, tangerine compliments her complexion really well. Don't like how ill-proportioned the styling is in some looks but i'm glad hats are back in Vogue and the hyper girly/non MJ 80's iteration. Angelina's not perfectly modelesque but got this fleshy Gia-ness about her and somehow that works for me. Her smile is really beautiful in motion too, hope some of these days we get a great smiling picture from her.
 
BV sarting the year off an a low note - not surprised

there's something very dated, unfinished, and throwaway about the whole spread. it's like they published all the test shots to appear quirky and different, while still failing to accomplish the basics.

it's like editor's nowadays need a bootcamp for fashion magazine editing
 
No subscription copy yet, but judging from the images uploaded in ebay listings, this issue has around 176 pages, and in the main editorial section, the cover shoot is followed by an interview with actor Drew Starkey, shot by Scott Trindle, then a reprint of the I&V 'dance' editorial from US Vogue, and then something called "We'll Always Have Paris".
 
No subscription copy yet, but judging from the images uploaded in ebay listings, this issue has around 176 pages, and in the main editorial section, the cover shoot is followed by an interview with actor Drew Starkey, shot by Scott Trindle, then a reprint of the I&V 'dance' editorial from US Vogue, and then something called "We'll Always Have Paris".
The “We’ll always have Paris” ed is actually a reprint from Vogue France Dec 24 issue, shot by Anthony Seklaoui styled by Alastair McKimm.
 

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