Around the noble circular concourse of the Sorbonne University, painted friezes about their heads and stone statues of scholars gazing onto the shiny runway, models paraded to give Valentino new life.
And to prove his support for the new design duo behind the label, the retired maestro Valentino Garavani himself sat front row with his partner, Giancarlo Giammetti, joining in the final ovation.
The show was a respectable and restpectful debut for the designers Pier Paolo Piccioli and Maria Grazia Chiuri, who focused on Valentino's young, glamorous style in the Dolce Vita years of 1960s Rome. They did not inject much of their own personalities, apart from some spicy color - from grass green and turquoise through dusty pink and fuschia.
There was also a faint feeling of louche freedom as a neckline fell open.
"We wanted to celebrate the spirit of Valentino and of couture," said Piccioli.
"And to exult individuality - the most important value," said Chiuri, who has worked with Piccioli for 16 years.
The hint of a rose in the whorl of satin sleeve; the suggestion of galucha, or fish scales, on the surface of a satin coat; and the ultra-subtle contrast of embroideries on a long dress and its jacket - that was how the duo caught the couture spirit from the studio they have worked in for a decade.
There was absolutely nothing to frighten clients - but there were not too many in the audience to pick out a streamlined cape, a Valentino red draped dress or any of the long gowns that dominated the show.
The Valentino company has been through a whirlwind since the iconic designer left a year ago. But Stefano Sassi, chief executive of Valentino, said that he was "super confident" that the design duo could put Valentino back on track.
"We've been though 180 degrees," Sassi said, "But now we are much closer to the feeling of the brand."
Chiuri and Piccioli, both in their early 40s, were accessory designers with Valentino, although they put no bags on the runway for Wednesday's show. For shoes, they chose to create the delicately decorated surfaces beloved by their mentor - but with solid heels.
Piccioli explained that their choice as venue of the Sorbonne, France's famous university, was because their idea in taking on the great challenge was to "learn in a positive way."
"We are in a world where people have to hope and dream," Piccioli said. "Yes we can!"