i just ran through the Escale A L.A. collections edit and it looks like a trying hard version of Venetia Scott's style. the only stand out is Melanie Ward's work with Lara, there's alot of creativity present, the styling is exceptional and juxtaposes really well into the beach setting; i love the Hilfiger, Rick Owens and Viktor&Rolf shots the most.
too bad Ward's brilliance isn't enough to rescue this edit as Koller and Alt's work just exacerbates the repetitive factor; the former has a style too simple, we've seen the walking/jumping around the village shots too often and add to I&V's direction for this shoot the clothes are just forgotten in the haze.. the latter meanwhile looks bent on nailing the most predictable and gaudiest shots in all of printwork, it's sad since Freja and Natasha are immensely talented and yet with Alt they are stereotyped to infinity doing the same shots over and over.. i just can't expound on how hackneyed her work is. for me the only notable thing she's done for the magazine is employ Hans Feurer.
this.
too bad Ward's brilliance isn't enough to rescue this edit as Koller and Alt's work just exacerbates the repetitive factor; the former has a style too simple, we've seen the walking/jumping around the village shots too often and add to I&V's direction for this shoot the clothes are just forgotten in the haze.. the latter meanwhile looks bent on nailing the most predictable and gaudiest shots in all of printwork, it's sad since Freja and Natasha are immensely talented and yet with Alt they are stereotyped to infinity doing the same shots over and over.. i just can't expound on how hackneyed her work is. for me the only notable thing she's done for the magazine is employ Hans Feurer.
I think the model choice for this one is weaker too. Yes these are the "established" models who typically do excellently, but what does Emanuelle have against using more than the same 10 models? Like in Febraury there were "newer" models with Daphne and Saskia, last August had Aline, Jac, Frida, Aline, etc. Carine didn't seem completely against using new & different models. Whereas, Emmanuelle seems to be totally against it at this point.
this.
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, so much that I'm going to give up on pride and buy ~VogueParis!~ next month. The story by Karim Sadli is the center of the issue for me, it kicks off the autumn mood with great 90s styling and a fantastic model + photographer combo. . and he's also someone whose photography seems to have that sequence and light emphasis similar of Hans Feurer's work, so the fact that the original is also part of this issue and doing a beauty editorial (he's so good with closeups) adds more points. I know the story about LA is actually meant to be the focus point here but for me it works more as the 'accessory story', either a warm up to Hans/Karim's work or.. post warm-up!, it's super long (which I love), very individualistic when it comes to each models' style and reputation (Lara doing Lara, Freja doing Freja, etc) and the LA theme is as broad as the styling and number of pages so, it keeps the eye entertained.
seems like VP now has serious styling problems with models like Freja and Natasha
maybe due to the repeated rock tone