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But they do. A Prada collections are easily recognizable. Muccia has a specific look for both Miu Miu and Prada. No matter what the inspiration of the collection may be, the DNA of the label remains firmly intact, even if the silhouettes change. Prada is never conventional and Muccia's collections are always an acquired taste. It can be quirky, feminine, contradictory, and down right ugly. That, itself, is their aesthetic. I suppose that just isn't clear cut enough for you to identify. As I said before, no identity is threaded through each collections to make Vuitton a coherent fashion house. Even if Prada collections are very different from one and another, they still retain the same vision and aesthetic.
for hard core fashion-philes maybe. show me a piece from an old Prada collection i've not seen before and chances are, i will confuse it as a work of some obscure house. i don't know how philosophically broad your definition of aesthetic is but "clear cut" does not describe Prada's at all. Chanel and Dior have clear cut aesthetics, and now that you bring up DNA, Karl and John have produced collections that are in line with what the Chanel and Dior did in their heyday. but prada? if being "quirky, feminine, contradictory, and down right ugly" is their aesthetic, a lot of fashion houses are like that too, which brings me back to my initial argument, "clear cut aesthetic" does not describe Prada at all.