Source NY Times.com
TV Review | 'A Model Life'
Taking the High Road for Hopefuls With Catwalk Dreams
('http://www.nytimes.com/2007/07/13/arts/television/
By
VIRGINIA HEFFERNAN
Published: July 13, 2007
If “A Model Life” wins loyal viewers, it ought to reward them with more of Joel Wilkenfeld, a bruiser and one of two presidents of Next, the agency that, along with its supermodel Petra Nemcova, presents this competition. He could be a foil for the moral demands at the forefront of the show, which begins tonight on TLC, the Learning Channel (no less).
Like Tyra Banks’s “America’s Next Top Model” on CW, “A Model Life” purports to search for a breakout fashion model. Chances are slim that the winner will come to anything: America’s Next Top Models never do. They lapse into obscurity or join the postreality demimonde. The integration of a prominent modeling agency into the production of this show should load the dice at least somewhat.
But that’s not why viewers deserve more time with Mr. Wilkenfeld. Rather, he’s a hilarious villain. In spite of the three fancy kisses with which he greets Ms. Nemcova, he comes off like a rag-trade thug whose circle of young women could be workers at the Triangle Shirtwaist Factory for all the nonfabulousness he affords them.
He’s certainly not one of the oh-snap androgyne types who are the collective face of modeling elsewhere on television. Instead he comes across as only one step removed from a lug who ogles lanky 13-year-olds and gives their mothers his card.
Six young women show up from around the world on “A Model Life.” By not limiting themselves to Americans — as “Next Top Model” has done — “A Model Life” opens its ranks and its palette, which also increases its chances of finding a winner who might make it in the open market. As Ms. Nemcova indicates early on, nationality is a huge part of modeling.
“The Brazilian girls, they usually do very very well in fashion,” says Ms. Nemcova, 28. (In the appearance business ethnic and national stereotypes are not only not frowned on, they’re also mandatory.)
The contestants are everything Ms. Banks’s would-be models are not: teenagers, for starters (some are as young as 16); experienced (Mr. Wilkenfeld and Ms. Nemcova go through tear sheets and not home videos when they’re choosing finalists); and entirely presentable. (No brawls are likely here; these young women are all schooled to win.)
But to win its place on the relatively wholesome TLC, “A Model Life” has to have a redeeming moral message, and this is where it really stands apart from Ms. Banks’s outfit. If “America’s Next Top Model” insists that life is about shape-shifting — living inventively and decadently between the lines of genders, races and classes — this show underscores the good old American Dream.
“I’m just here because New York, as you know, is a city of dreams,” Ms. Nemcova says when she first greets the aspiring models. (Is it really?) “Where all the dreams can come true. And your one as well. And I’m here to help you, to make your dreams become a reality.”
What follows are the usual stations of a model’s self-improvement: go-sees with designers, runway competitions, tests to see who looks best in this or that, lectures on healthy eating. The cynical voice of Mr. Wilkenfeld recedes, and a Girl Scout tone takes over.
That’s too bad, because the moral lessons are pretty heavy. They could be made more vividly to viewers at home, if there were a real ogre to embody the other forces of New York— the ones that, say, don’t care all that much about your dreams.
In any case, on next week’s episode, the six contestants — from Australia, Britain, Brazil, Slovakia, California and Florida — visit Ellis Island, guided by Ms. Nemcova, who is originally from the Czech Republic. Ms. Nemcova, we’re told in voice-over, has been profoundly chastened by her experience of surviving the 2004 tsunami in the Indian Ocean (which killed her boyfriend, Simon Atlee).
At Ellis Island she explains to the contestants that America is a place where dreams come true for immigrants, and especially those from oppressive regimes, like Czechoslovakia during what she calls “the Communism.” Ms. Nemcova describes the period this way: “People were executed just because they spoke about what they believed.”
When these young women are confronted instantly with good and evil, and the stakes rocket so high, modeling suddenly seems like not the most adequate response. Their pretty faces become extremely solemn. What could these contestants, born around 1990, think of when they hear this?
Ms. Nemcova’s mission — to make a modeling show with solemnity — seems worthy. But Ms. Banks’s fantasia is ultimately gentler and more fun, which may be better suited to vulnerable young models.
A MODEL LIFE