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this f-ing SUCKS!
so glad jil is coming back and making REAL clothes again!
the only cool part is the accessories which look like they belong at a completely different house...
has anything BUT the accessories even been selling from the brand?
i haven't bought a thing from them in YEARS...
haven't even been remotely tempted...
I really wonder how many people on fashion spot praising this collection find themselves in the situation to be actual customers of Jil Sander, or even, finding themselves with similar needs regarding the clothes they need to wear as the woman that Jil herself used to dress. A lot of designers have done frayed edges this season and I am clearly seeing very little wear for that in office situations, for which successful working women (let's face it that the pricepoint allow for such an assumption) have for many years turned to Jil Sander.
awwww...That makes me think of when you bought this beautiful off-white cotton dress from Jil's comeback collection several years ago, softie
Do you still get to wear it every once in a while?
I really wonder how many people on fashion spot praising this collection find themselves in the situation to be actual customers of Jil Sander, or even, finding themselves with similar needs regarding the clothes they need to wear as the woman that Jil herself used to dress. A lot of designers have done frayed edges this season and I am clearly seeing very little wear for that in office situations, for which successful working women (let's face it that the pricepoint allow for such an assumption) have for many years turned to Jil Sander.
I really wonder how many people on fashion spot praising this collection find themselves in the situation to be actual customers of Jil Sander, or even, finding themselves with similar needs regarding the clothes they need to wear as the woman that Jil herself used to dress. A lot of designers have done frayed edges this season and I am clearly seeing very little wear for that in office situations, for which successful working women (let's face it that the pricepoint allow for such an assumption) have for many years turned to Jil Sander.
this "are you an actual client" seems to be a recurring topic. i've seen it here, in past YSL collections, and i truly can't see the reason or use of it.
it's not like we are commenting on the performance of cars we havent driven, or equations we can't solve.
As much as it is an industry, fashion is also a creative field. Luckily that opens the doors of criticism to pretty much everyone (otherwise imagine tFS with just the models, mags, and celebrity style threads )
are there many/any couture clients around here? no, but we do "waste" hours of our sleep until the pictures come up, like there's no tomorrow, right?
it's as easy as stating your opinion, supporting it (we've all done the "I LOOOVE THIS BECAUSE IT'S SO PRETTY!" here and there, but that's not what i am talking about)
besides that, if your main argument is that jil sander is/was always designed for a certain kind of client who would find herself in "office situations", i think we've seen enough Dior runway monstrosities toned down for the racks, to think that any given collection could eventually get to the stores in a similar manner, no?
take the high slit coat for example... it looks fantastic on the runway with or without the cut. perfectly office-like to me, how you wear it is up to you.
Here's one look from S/S '04....
It's interesting to put his latest collection in direct comparison with the two summer collections Jil herself designed during the brief return as the creative director of the house she founded, which also featured slight touches of frayed edges and an altogether more 'loose' feel - In the end, what she managed to give her audience were very easy, uncontrived clothes, such as the before mentioned dress Softgrey has (Maybe it would be good to post a picture as a reminder?). I've mentioned it before, but I'm finding Raf Simons' approach at Jil Sander often to be a bit too much on the 'studied' overtly-conceptualized side, portraying an 'art-house', monastic, Kraftwerk-like sense of minimalism for the sake of arts appreciation, unlike the 'private' luxury that Jil Sander's own creations always exuded.