US Vogue November 2016 : Emma Stone by Mert Alas & Marcus Piggott

Oh, look! Another Sims & Demarchelier editorial with Grace! O_o
I'm starting to like her but I don't want to see her in every single issue, in addition to other publications!
Seems like a crappy issue, indeed...
 
What a depressing review. :doh: Thanks kroqjock though!:flower:

Before we still had fashion story with a female model + a male actor but now an actress + an actor? I hope it won't become a tradition from now on.:(
 
Grace H again! I'm over her. As much as we seen too much Karlie K and Caroline T, I miss seeing them in the mag! They need to utilize more of Imaan H.

I actually like the cover. It's something different for Vogue to choose a cover like that and the editorial goes along with Emma and LaLa Land with her playing different characters and what not in the story.

Very Los Angeles.
 
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^Karlie was just in the October issue
 
30 people in 12 pages? sounds messy.

Lol, I think Anna may have had an epiphany similar to that of Carine. Or maybe some of her celeb chums begged her to open the floodgates and feature more people from various fields. Vogue will benefit because when all 30 people post their shots on SM, their followers may just latch onto the magazine. The silver lining is that talented artists other than Beyonce, Taylor & Lupita will get some form of recognition.
 
it's probably CFDA ed they do every year in november, there are lots of people every time and every time this ed is a waste of paper
 
Like us, she gazes with startled horror at the crazy s**t show that is the current US Presidential race.
 
But anyway, I love this cover. US Vogue is normally so routine and bland with their cover layout.
 
Well I'm only excited for Ruth Negga and Vic Mensa, glad I don't pay for this because man it's all bad.
 
Love Story
Photographer:
Mario Testino
Stylist: Camilla Nickerson
Stars: Ruth Negga & Joel Edgerton
Make-Up: Stéphane Marais
Hair: Marc Lopez


vogue.com
 
Ruth and Joel's editorial looks so amateur to me. And the styling is very one-note.
 
In Testino's work, I always enjoy the scenary and sets... anyone knows where this was shot?
 

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